Natural clay floor

Thibaut Devulder

The finished clay plaster floor

Hands-on course last week at our collective work space Kroloftet in Oslo, where I got a chance to practice natural clay flooring techniques under the guidance of our collaborator Kristian Møystad Bjørnland (of Ur Arkitekter) and Marc Charneau (of Kroloftet).

This little practical exercise aimed at resurfacing the unfinished floor of one of our meeting rooms, exploring clay plaster mixes, workmanship and surface treatments to create a natural, durable and, of course, beautiful floor.

We aimed are reclaiming as much existing materials as possible: taking as a starting point the strangely laid out parquet in the middle of the room over a rough concrete floor, we collected unwanted clay materials from our ceramics workshop, waste wood shavings from the wood workshop and hand sifted sand from a local quarry to experiment with various mix of clay-sand-fibre-water.

The rough concrete floor around the parqueted area, before applying the clay plaster

After an initial layer of clay mix compressed in place, we progressed through several layers of finer clay mixes to achieve a smooth end result. Since we used reclaimed materials of uncertain composition, we decided to experiment with various mixing proportions, some of which more successful than others, which gave us a chance to practice our reparation techniques on the less optimal mixes that developed cracks upon drying!

We finally applied a coat of boiled linseed oil and wax, purchased from the local building conservation shop, to seal and harden the surface.

The workshop was rich in discoveries and allowed me to experience the theory and process behind clay plastering.

With beautiful moisture control abilities, low embodied energy and full recyclability, we are looking forward to applying clay plastering techniques to create stunning and durable interior finishes for our future projects!

Construction started in Hagalykkja

Thibaut Devulder

Building work has started on our family house remodel in Eidsvoll. with the timber framing of the new extension now completed.

The timber frame of the new extension under construction


In this first phase of the construction process, this extension will be fully built and fitted with a new kitchen connected to a winter garden, before being integrated into the house. The second building phase will then start, whereby the old kitchen will be converted into an accessible master bedroom and a new modern bathroom.

This careful phasing informed the design process and was developed in collaboration with the clients to minimise disruption to the family life, allowing them to continue using the house throughout the construction period.


Thinking of remodelling your home while still living in it?

Oslo roof terrace getting ready for National Day

Thibaut Devulder

Most of the building work for our new roof terrace on a residential block in central Oslo is now completed, and the finishing work is progressing quick, on time for the festivity of the Norwegian national day in May!

New approach

Thibaut Devulder
Rendering of our proposed new approach, with a new entrance to the house linking it to the new garage

Our proposed new approach for the house, as seen from the street

As part of a larger remodelling and refurbishment of a family house in Vinterbro, we have put a particular focus on redesigning the house approach from the street, linking a new accessible and welcoming entrance to the home with a new woodworking workshop and garage.

The existing approach, as seen from the street

Portfolio project
Yellow Brick Road #6 installation

Thibaut Devulder

Continuing our collaboration with artist Morgan Dimnet, of French art collective QuboGas, we developed an interactive installation that explored the relationship between of visual artwork and electronic sound composition.

The Yellow Brick Road #6 installation/workshop at the Frigo (Albi, France)

The project was inspired by the Mélisson, an educational modular sound synthesizer developed in the 1980s at the GMEA — Centre National de Création Musicale Albi-Tarn (France).

Initially created to introduce children to the fascinating world of sound synthesis through experimentation and collaboration, these playful instruments were also used by experienced electronic musicians to create complex soundscapes and compositions.

Morgan Dimnet wanted to place the Mélisson at the centre of his new installation/workshop, inviting pupils of local primary schools to use its intuitive physical interface as a composition tools for not only sound, but also for visual art.

Exploring infinite variations of sounds and visual compositions, the visitors are then invited to create a physical vinyl disc cover for their own musical creation.

Collaborative sound creation with the Mélisson modules (© GMEA)

As the knobs of the Mélisson modules are tweaked to create unique sounds and effects, this soundscape is translated into similarly unique composition of shapes and colours, projected onto the workshop’s wall — ready to be reproduced by the visitors on mini stamping workshops designed by the artist for the exhibition.

We developed for this installation a hardware interface that could “listen” to the Mélisson synthesizers, and a custom computer program that translated the sound creations into unique visual artwork, following the artist’s visual language and aesthetics.

The project took place in 2022 with several primary schools in Albi, and concluded by a public exhibition at the collaborative cultural centre Le Frigo.


Project credits:

  • Visuals and furniture design: Morgan Dimnet

  • Hardware interface and electronics: 2hD Architecture Workshop, with Jean-Jacques Devulder

  • Programming (Processing): 2hD Architecture Workshop

  • Music composition (vinyl edition): Roland Ossart