The competition brief called for an easily extendable building, with a strong focus on personnel safety. I have prepared this sketch concept view, together with diagrams explaining our design approach to address these points. Using a construction strategy based modular plug-in elements with identical folded structure roofs, each module can be easily connected to the station as it expands in the future, adding both additional capabilities and associated staff accommodation to the facilities.
We have just moved our Norwegian office to a new workspace in central Oslo, in the Gamle Aker neighbourhood!
After six years at Sommerrogata 17, our former office space is now closed for renovation. And we would like to take this opportunity to thank all the talented people who shared that vibrant space with us, for all the fruitful collaborations and good laughs!
Pop by and say hello at our new address:
We have just started a new art performance collaboration at the Studio National des Arts Contemporains (a.k.a. Le Fresnoy) in Tourcoing, France.
Titled "Symétriades/Extension" (a reference to Stanislaw Lem's book Solaris), the performance project is a collaboration with Nicolas Crosse (double bass player), Alain Fleischer (visual artist) and Yann Robin (composer).
The artists' intention is to:
... give rise to a gigantic, organic, “living” creature whose every component is interdependent and whose nerve centre whose vital organ is constituted by the double bass player and his instrument. The soloist and the double bass will be positioned on a structure placed in the middle of the “playing” space. The instrumentalist’s body, the double bass, as well as the structure, will act as surfaces on which various visual dimensions will come to life. By extension, this visual entity, whatever its forms, will extend and proliferate in the architectural space hosting the performance.
Using our experience with the Ooo-Ya-Tsu performance, also interweaving music and interactive visuals, we will be helping the artists to develop the concept and scenography for the art performance and to create the real-time interactions between live projected visuals, the soloist’s gestures and electronic sound manipulations.
We like to describe Ooo-Ya-Tsu as an art performance of "collaborative soundscape painting", exploring the interaction between the gestures of classical hand-drawing, animated computer graphics and electronic music.
Ooo-Ya-Tsu is the fruit of our collaboration with visual art collective Qubo Gas and musician Olivier Durteste (a.k.a DDDxie), which took place during a series of artist residencies and public presentations between 2013 and 2016.
2hD takes part in the live public performances of Ooo-Ya-Tsu, but also developed the computer programme that drove the interaction between the drawing instruments (pencils and paint brushes), the video projection on the canvas and the musical instruments.
What is Ooo-Ya-Tsu
Taking place in the midst of the audience, three visual artists draw simultaneously on a large paper canvas laying on the floor, using pencils and watercolour brushes. Each of their actions leaves physical traces on the canvas, but also creates flurries of colours and animated collages — superimposed by a video projection that tracks their drawings movements — as well as layers of sounds and musical rhythms that build on the musical performance of the musician, sitting next to the paper canvas.
Responding to these new sound patterns, the musician himself adjusts his own live composition using electronic music instruments, creating in turn new visual effects on the paper canvas and influencing the live actions of the drawing artists.
As the performance unfolds, a complex graphical and musical dialogue develops between its different actors — each influencing the others' work, while all collaborate interactively to create a unique sound and visual landscape.
Inspired by the principles of phase music, the different rhythmic and visual layers of this landscape come in and out of focus: sometimes momentarily revealing the different musical and graphical universes that constitute them, sometimes recombining them into complex abstract patterns. Until eventually, both music and projected animations begins to evolve autonomously, continuing to shift and echo long after the performance of the actors themselves is over.
At the centre of the Ooo-Ya-Tsu performance is a custom-made computer programme created by 2hD, using the Processing programming language. This powerful language allowed us to develop a system that allowed linking all the different aspects of the performance, combining motion tracking, video projections, interactions with physical objects and simulations of autonomous particle systems...
The visual aesthetic of Ooo-Ya-Tsu is based on the dream-like imagery of French art collective Qubo Gas, whose work poetically combines painstakingly intricate paintings and collage techniques, with scales ranging from miniature to architectural.
Having scanned a series of artwork they produced for the performance, we programmed the system to dynamically recombined them into an near-infinite number of different collages.
These images could then be superimposed and animated onto the paper canvas, responding to the physical ink forms drawn on the canvas during the live performance, which are analysed by the programme in real-time using infra-red cameras.
The modular aspect of the Processing language also allowed us to combine existing programming libraries to interact remotely with the musician's live performance: triggering visual events in response to certain of his composition patterns or sounds, but also playing sounds directly on his electronic instruments in response to drawing actions on the canvas.
The resulting soundtrack of the performance is a layered composition of phase-shifting abstract samples, overlapping and structuring DDDxie's live electronic music:
Despite its technical complexity, we conceived Ooo-Ya-Tsu so that the technological aspects of the performance remained mostly inconspicuous, keeping the focus instead on Qubo Gas' poetical hand drawings, the materiality of the paper medium and DDDxie's layered and minimalist sound compositions.
In 2013, the Ooo-Ya-Tsu performance was awarded a production grant from the prestigious Centre National du Cinéma et de l'image animée (CNC), in France.
Are you an artist interested in interactive installations and performances?
Interested in hosting Ooo-Ya-Tsu for a public presentation or an artist residency?
In our latest collaboration with David Boden, of Boden Associates, we produced a series of visualisations for a twenty-story mixed-use development in central Leicester, UK. These were used as part of an on-going consultation with the local planning authorities.
While this project was still in its sketch design stage, we built and maintained a SketchUp model of the building, based on the 2D drawings (plans and elevations) produced by the design team. As the design evolved, we updated the 3D model to reflect changes and provide visual feedback to the team, allowing them to explore alternative design options and assess visual impact.
We eventually produced illustrations of the proposed building for presentation to the city planners, who had specific questions about massing and facade treatments. The challenge was to clearly illustrate the design aspects in question, while emphasising the fact that the design was still in progress.
To achieve a subtle blend of sketchiness and detail, we used a hybrid presentation technique combining photorealistic renders of our SketchUp model (using Maxwell render) with hand drawing and photography.
L'Association Culturelle Argentine (ASCA) has invited us to present our art performance Ooo-Ya-Tsu as part of the 8th edition of their digital art festival Les Pixels, on Thursday 24th November 2016, in Beauvais (France).
In the days preceding the performance, we will be also running workshops with local schools and associations, creating a large hand-painted and digital fresco for the festival.
After La Gare Numérique and La Malterie, this will be the third public presentation of our live performance Ooo-Ya-Tsu, an art collaboration with art collective Qubo Gas and musician Olivier Durteste..
Kubik Interiørarkitekter — the talented interior architects with whom we are sharing an office space in Oslo — asked me to take photos of their freshly completed new interior for Norman & Co, Norway's oldest law firm, in Oslo's exclusive Akerbrygge neighbourhood.
Here are some of my shots, trying to capture Kubik's delicate contrast of warm materials and cool light...
If you are a community group and feel you could benefit from some free advice, please get in touch! As part of my research at Nottingham Trent University, I am exploring the ways in which architects can make links between their business and local communities for the mutual benefit of both. This means I'm in a position to offer my services to a community group, free of charge, to advise them on a particular project. This would need to be undertaken between October 2016 and April 2017.
In particular I am looking for opportunities to work with people on the redesign of spaces and places of community value. This might involve planning issues, landscaping, construction issues or internal reorganisation of spaces — if you make initial contact with me I'd be delighted to discuss your needs and ideas.
As I am doing this in conjunction with Nottingham Trent University, please contact me via my NTU email: firstname.lastname@example.org
Special thanks to our guest Yves Sabourin — art curator for the French Ministry of Culture and former master-weaver — for his inspiring speech after our performance, comparing our work in Ooo-Ya-Tsu with the luxuriant garden motives of traditional Persian tapestries...
Together with collaborating artists Qubo Gas, we are dwelling a bit more on the subtle interactions between the physical drawings and the animated video projection on the watercolour paper...
Come and see the live Ooo-Ya-Tsu performance on Thursday!
Our live soundscape drawings performance Ooo-Ya-Tsu will be followed by a public discussion with our guest Yves Sabourin — a former tapestry master-weaver at the famous Gobelins Manufactory and now art curator at the French Ministry of Culture.
Home of our artist collaborators of collective Qubo Gas, La Malterie is a non-profit organisation dedicated to the experimentation of arts, in the district of Wazemmes, in Lille, France.
If you are in the area, do come and join us on Thursday 4th February, at 7pm!
The evening will also include an exhibition of light sculptures by maker artist Stéphane Martin and a DJ set by Ooo-Ya-Tsu's Jef Ablézot, a.k.a. Afrojaws.
This public performance will be concluding our on-going artist residency at the Gare Numérique.