Ooo-Ya-Tsu at digital art festival Les Pixels

Thibaut Devulder

L'Association Culturelle Argentine (ASCA) has invited us to present our art performance Ooo-Ya-Tsu as part of the 8th edition of their digital art festival Les Pixels, on Thursday 24th November 2016, in Beauvais (France).

In the days preceding the performance, we will be also running workshops with local schools and associations, creating a large hand-painted and digital fresco for the festival.

After La Gare Numérique and La Malterie, this will be the third public presentation of our live performance Ooo-Ya-Tsu, an art collaboration with art collective Qubo Gas and musician Olivier Durteste..

Ooo-Ya-Tsu performance at La Malterie

Thibaut Devulder

Some photos from our latest public performance of Ooo-Ya-Tsu, at La Malterie.

Musician Olivier Durteste (left) composing a live soundscape, as I (right) recompose the digital collage projected on the paper canvas in front of him.

Yves Sabourin, during the public discussion after our live performance

Yves Sabourin, during the public discussion after our live performance

Special thanks to our guest Yves Sabourin — art curator for the French Ministry of Culture and former master-weaver — for his inspiring speech after our performance, comparing our work in Ooo-Ya-Tsu with the luxuriant garden motives of traditional Persian tapestries...

Artist residency at La Malterie

Thibaut Devulder

I am spending the week at La Malterie for an artist residency, to develop our art performance Ooo-Ya-Tsu and prepare for our next public presentation, on Thursday.

Together with collaborating artists Qubo Gas, we are dwelling a bit more on the subtle interactions between the physical drawings and the animated video projection on the watercolour paper...

Come and see the live Ooo-Ya-Tsu performance on Thursday!

Update 16/02/16: we posted some photos of the performance...

Another public performance of Ooo-Ya-Tsu

Thibaut Devulder

We are excited to announce another public presentation of our art performance project Ooo-Ya-Tsu on 4th February, at La Malterie, in Lille (France).

Our live soundscape drawings performance Ooo-Ya-Tsu will be followed by a public discussion with our guest Yves Sabourin — a former tapestry master-weaver at the famous Gobelins Manufactory and now art curator at the French Ministry of Culture.

Home of our artist collaborators of collective Qubo Gas, La Malterie is a non-profit organisation dedicated to the experimentation of arts, in the district of Wazemmes, in Lille, France.

If you are in the area, do come and join us on Thursday 4th February, at 7pm!

Ooo-Ya-Tsu à La Gare Numérique

Thibaut Devulder

I have just started a month-long artist residency at La Gare Numérique in Jeumont (northern France) to finalise our performance art project Ooo-Ya-Tsu.

The Ooo-Ya-Tsu collective (left to right): Olivier Durteste (DDDXIE), Thibaut Devulder (2hD), Morgan Dimnet and Jef Ablézot (Qubo Gas)

Located on the Belgium border, La Gare Numérique is a former train station, transformed a few years ago into a platform for the development of arts and digital technologies, offering state of the art facilities for artists, dancers, musicians and makers to develop and present their projects.

La Gare numérique will also be hosting the first public performance of Ooo-Ya-Tsuon Friday 9th October 2015, at the end of our artist residency.

After L'Aéronef, Le Cube, La Malterie and l'Hospice d'Havré, La Gare Numérique is the fifth art centre to host us for the development of our collaborative art project Ooo-Ya-Tsu, a live drawing and sound performance I am working on with art collective Qubo Gas and musician DDDXIE.

Update: the public performance has been announced!

La Malterie

Thibaut Devulder

In preparation for our exhibition with Pictanovo about our Ooo-Ya-Tsu collaborative performance project, I spent a few days working with Qubo Gas at La Malterie — an experimental music and visual art centre in Lille (France) — to sort out some of the technical aspects of the project, such as calibrating the video projection and remotely tracking the motion of drawing gestures with brushes and pens.

We will continue working on the animation and graphics of the performance in two weeks time at the Hospice d'Havré.

Artist residency with Pictanovo

Thibaut Devulder

We have been invited to present our collaborative performance project Ooo-Ya-Tsu as part of the Experiences Interactives exhibition, starting in 29th May 2015.

Hospice d'Havré (Photo © Bruno Parmentier)

Hospice d'Havré (Photo © Bruno Parmentier)

The exhibition is organised by Pictanovo, a French association supporting the development of visual arts in Northern France and one of the main sponsors of our project.

The event will take place in the stunning Hospice d'Havré in Tourcoing and will showcase over the summer 2015 a selection of art projects supported by the organisation.

Prior to the exhibition, Pictanovo has kindly invited us to continue developing our visual and musical performance during a week-long artist residency in the exhibition space.

In collaboration with art collective QuboGas and musician DDDIXIE, our performance project Ooo-Ya-Tsu is also supported by the Centre National du Cinéma et de l'Image Animée (CNC), L'Aéronef, the French Civil Society of Multimedia Authors (SCAM), Le Cube and La Malterie.

Portfolio project
Squint: a micro-exhibition module

Thibaut Devulder

Mining some of our old files recently, we dug up this little gem from 2006: a mobile exhibition module we called Squint. It's an installation we originally designed for a competition in Calgary, for the temporary transformation of an urban space situated under a railway bridge.

Squint in the streets of Calgary (from our competition entry in 2006)

Excited by the idea of the self-building something we would then send to the other side of the world, we took the approach of a foldable crate system that could be deployed in an unlimited number of configurations, playfully modulating the openness — or enclosure — of the micro exhibition space it hosted.

Set on its site and then manipulated by the public, the articulated and perforated little structure offered glimpses of its content to passers-by, "leaking" some of its content to the surrounding urban space.

In another context: Nottingham's Exchange Arcade...

And of course, for easy transportation, the whole thing can be neatly folded into a tiny, self-contained crate containing both the panels and the exhibition materials, ready for shipping!

This was a fun little project and maybe something to prototype again?
Interested? Get in touch with us!

Ooo-Ya-Tsu on Arte TV

Thibaut Devulder

The French digital creation centre Le Cube hosted us for a week last April in Paris, to continue developing our live drawing and music performance Ooo-Ya-Tsu.

As part of this artist residency, the Franco-German cultural TV channel Arte came to film us and interview our collaborators, the collective Qubo Gas, discussing how the Ooo-Ya-Tsu project fitted in their wider practice as visual artists.

Qubo Gas collective interviewed by Arte, during our artist residency at Le Cube, in Paris (photo © Qubo Gas) 

This video is also available online on the Arte Creative website (photos above © Atelier A).

Fabrica

Thibaut Devulder

The Fabrica Art Gallery, Brighton's famous visual arts organisation, has offered to host our Ooo-Ya-Tsu performance for the Brighton Digital Festival 2014, next September.

Fabrica Art Gallery (Photo by Dominic Alves)

Fabrica Art Gallery (Photo by Dominic Alves)

Based in a former Regency church in the heart of Brighton, Fabrica commissions contemporary visual art installations specific to the building.

As part of the presentation of the project, we prepared this short description of the project, for once in English:

Constructed as a cycle, the Ooo-Ya-Tsu performance sketches a poetic landscape around the interactions of visual art collective QuboGas, designer Thibaut Devulder, musician Olivier Durteste and a custom-made computer programme.

Ooo-Ya-Tsu takes inspiration from phase music and conjures up the imagery of mobile collages, in which new strokes, colours and sounds are overlaid and combined at each sequence.

The performance develops in three phases:

  • A creative phase, during which the different performers step in sequentially to create and compose the graphical soundscape.
  • A chaotic phase, as the richness of the interactions takes over the performance, claiming back control over the creative process.
  • A rebirth phase, as Ooo-Ya-Tsu subsides and settles into an autonomous animated fresco, extending its visible existence into the digital space of the performance venue.

While based on a complex technical system, Ooo-Ya-Tsu keeps at its core the visual universe of the QuboGas collective: hand-drawn sketches on paper, in pencil, ink and watercolour. Digitised, these shapes and colours are combined with the soundscape composed by Olivier Durteste.

Ooo-Ya-Tsu offers a contemplative take on a collective artwork, where human gestures bring forth an infinite virtual fresco, an autonomous universe of sounds and graphics.

Ooo-Ya-Tsu gets CNC grant

Thibaut Devulder

We are delighted to be awarded the prestigious DICRéAM grant from the French Centre National du Cinéma et de l'Image Animée, for the production of our multimedia art performance Ooo-Ya-Tsu.

In collaboration with art collective Qubo Gas and musician DDDIXIE, Ooo-Ya-Tsu is also supported by L'Aéronef, the French Civil Society of Multimedia Authors, Pictanovo and La Malterie.

Weaving space: student exhibition

Tom Hughes

Alina and I are leading the Vertical Studio module this year at Nottingham Trent University, as part of the MArch (Masters in Architecture) course. It's a 10 week design studio delivered to both cohorts of the MArch course, aimed at bringing in practitioners with a particular set of approaches, whilst introducing new students to NTU and preparing final year students for their major dissertation projects.

We've decided to build the studio around the notion of weaving — both as an approach to understanding one way of making structure and space and as an analogy for the multi-stranded assemblage of information, knowledge and ideas that go into an architectural design project.

The site we've chosen is what we've termed an 'urban appendix' — a former thoroughfare truncated by the building of Victoria Station in Nottingham, and then overshadowed by its replacement, the Victoria Centre. This unloved backwater will be stiched back into the urban fabric by housing a dressmaker's shop, design studio and workshop.

During the first week the students were set the ambitious target of putting on an exhibition of exploratory models. Following visits to Kula Tsurdiu (acting as client) and the NTU textiles exhibition and weaving workshops, the students investigated techniques of stitching, pleating, weaving and fusing to create their models. It was great to see a lot of careful investigation and reckless experimentation coming together in a short space of time — the students really responded to the challenge and we look forward to seeing their designs develop over the coming weeks.

Tweaking hardware

Thibaut Devulder

First experiments with physical computing for our collaborative performance Ooo-Ya-Tsu with art collective QuoboGas and musicien Olivier Durteste (aka DDDXIE). We will be using the Processing programming platform to generate the visual and sound effects of our live drawing and musical performance and we are doing the first test of live motion tracking on stage using a WiiMote prototype.

Still in its early days, but it's nice to see the system starting to interact with the physical environment!

The project will be developed over the new year as part of an art residency with music venue L'Aéronef, in Lille (France).

Holding a creative space

Thibaut Devulder

The participatory arts magazine Mailout has published an article about our collaboration with artist Marcus Rowlands for our Lost Cuckoo public art project.

Written as a dialogue between Marcus, Tom and Thibaut, the article explores the role of artists and architects in the creative process and the idea of holding a creative space for public participation.

You can read the article on Scribd.

The full version of this issue of Mailout is also available online for purchase.