Creative spaces in schools

Tom Hughes

Working with Creative Partnerships, artists, teachers and school pupils, we have explored the idea of creativity and how spaces can be made which support creative activities. While space in schools is traditionally divided up using subject and year-group boundaries, educational theory is increasingly coming to recognise the value of project-based creative work.

"How will schools of the future adapt to support new ways of teaching and learning?"

We were approached by Creative Partnerships (now known as The Mighty Creatives) to get involved in two projects in local Nottingham schools.

Initially attracted by 2hD’s user-centric approach to design and interest in active consultation, artists working at Mellers Primary School asked us to help in the process of involving teachers and pupils in imagining a future creative space. We worked initially with the staff and artists to open up a conversation about ‘what might be’ at the school, understanding the problems of the existing building but also making the potentials more apparent. We then observed the work of the artists with the pupils, compiling and analysing some of the outputs from that process.

A second project followed at Manning Comprehensive School for Girls, an intense collaboration with a teacher and group of sixteen Year 9 pupils. The objective of the project was to explore the nature of ‘creativity’ as it relates to our work as architects. We ran a live design project with the pupils, taking them through the process of converting an existing crafts room into a flexible creative space.

Using examples of our own processes, inspiration from books and a visit to the art and design studios at Nottingham Trent University, we enabled the pupils to develop, present and debate their own design ideas. This culminated in an exhibition at which pupils from the whole school could vote for their preferred design of the new space. We then took those design ideas and worked them up into a presentation which will be used for fundraising to build the project.

2hD’s impact was in developing a lasting understanding of the creative processes and demonstrating to young people that creativity isn’t just about having good ideas. That has to happen within a framework of understanding the issue, consulting others and evaluating how far your ideas meet your original intentions.

2hD also acted as a bridge between the school and higher education which had a significant impact on the girls.
Jo Gogelescu, Deputy Head at Manning School for Girls

iHub competition

Thibaut Devulder

This joint entry project, involving 2hD, Boden Associates and Shared Design, provides a beacon for projecting creative thought through a strong formal and spatial presence, connected with the surrounding canal, road and cycle routes and characterised by a light ecological touch.

The Heart of the iHub: a brightly coloured conference theatre in the social exhibition space

This Building Research Establishment (BRE) competition called for an innovative hub and office building to link centres of excellence in the built environment with entrepreneurial business in order to promote innovative and sustainable technologies. Submitted designs were also encouraged to connect the local town community with the building and its agenda of sustainability and innovation.

The brightly-clad conference theatre pod sits within a highly flexible and dramatically-lit exhibition space, which in turn acts as the activity heart and connective node of the complex. The greened roof above the exhibition hall innovatively reconfigures the site topography providing a new habitat for local ecosystems and driving the natural ventilation inside. 

For this competition entry, we extensively used storyboarding techniques to communicate the social dynamics of our proposal. In particular, we presented the way the public would experience the spaces, from the dual perspectives of two fictional characters meeting at iHub: Tony, a resident innovative builder, and Deborah, a potential investor visiting the centre.

Our key achievements in this project:

  • establishing the right level and pattern of connections with the local town

  • distilling the client’s main values needing to be addressed in the project

  • establishing the relational logic of the set of activities to be accommodated

  • determining a fundamental and innovative sustainability strategy

  • marrying sustainability aims with an exciting experience of visiting or working in the building


Sneinton Trail map

Thibaut Devulder

To tell visitors and residents the hidden story of the neighbourhood of Sneinton, a local social enterprise asked us to create a 3D visualisation of the area, where we also live and work. This formed the centrepiece of a printed brochure promoting a tourist trail around Sneinton’s historic attractions. 

The final map, carefully crafted to be accessible and engaging, while still representing enough information for orientation and navigation

We have had a long term involvement with Sneinton Alchemy, a local social enterprise dedicated to making Sneinton a better place to live and work. The Sneinton Trail was one of their projects, inviting local people and visitors to discover the jewels hidden in the winding streets surrounding George Green’s famous windmill.

Teaming up with Nottingham Essence, who gathered information about the local history and took care of laying out the brochure, we set about creating an accessible and engaging “treasure map” for our neighbourhood.

We were keen to get across a sense of the landscape and built form, something that is often missing from standard tourist maps. We started by creating a three-dimensional computer model of Sneinton, which served as a basis for the design of the map. Some extra visual survey and on-site sketches brought life and visual clues into the model.

The exercise then became a subtle exploration of alternative presentation techniques and colour schemes to strike a balance between, on one hand, keeping the map as simple and readable as possible and, on the other hand, providing enough details for the visitors to easily orient themselves and navigate along the trail.

The finished brochure was distributed to all residents of the area, inviting them to go and explore their local heritage. You can also get a free copy of the brochure at many of Nottingham’s tourist attractions, and of course at Green’s Mill!

We created a simplified 3D computer model of the urban space by mashing up scaled maps and on-site photography and sketches

We created a simplified 3D computer model of the urban space by mashing up scaled maps and on-site photography and sketches

We helped Sneinton Alchemy put together a funding bid for the project by visualising the finished product, explaining the strategy and outlining the community benefits.

We helped Sneinton Alchemy put together a funding bid for the project by visualising the finished product, explaining the strategy and outlining the community benefits.

I enjoyed working with 2hD on the Sneinton Trail leaflet: they brought a range of professional experience but were always open to incorporating other people’s ideas!
Colin Haynes, collaborating local historian

Broadsheet Trees

Thibaut Devulder

What do the people of Nottingham think about the built environment around them? How do they interact with it? What role do they have in the future development of the urban space in which they live? How do they imagine this future?

As part of Architecture Week 2007, we teamed up with people from Casciani Evans Wood to create an interactive exhibition — Broadsheet Trees — that would voice the opinions and aspirations of the Nottingham people about their city.

Situated in the neoclassical Arcade Exchange in the heart of Nottingham, just a few steps from the City Council, the exhibition took the form of a series of stylised ‘trees’ on which passer-bys were invited to express themselves using colour-coded leaves that they pinned up on the branches. As the exhibition went on, the trees grew into large colourful objects, creating an intriguing and engaging platform for public expression.

As the exhibition goes on, the trees grow into large colourful objects, creating an intriguing and engaging platform for public expression

With more than 500 entries in a single week, the exhibition was a great success. The Broadsheet magazine later added the voiced opinions to their website, inviting visitors to participate in a public debate about the future of Nottingham’s cityscape.

Designed to be easily manufactured on a tight budget and assembled with simple handtools, we have since helped on many occasions local grassroots organisations to use these trees as a friendly and fun way to engage their communities in public consultations and events.

This project was commissioned by Arts Council England, the Royal Institute of British Architects (RIBA) and the Architecture Centre Network.

The project was run on a very tight budget and timescale, so we made sure that all the elements of the installation could be made quickly by ourselves