The competition brief called for an easily extendable building, with a strong focus on personnel safety. I have prepared this sketch concept view, together with diagrams explaining our design approach to address these points. Using a construction strategy based modular plug-in elements with identical folded structure roofs, each module can be easily connected to the station as it expands in the future, adding both additional capabilities and associated staff accommodation to the facilities.
In this project, we helped a housing developer unlock the potential of a complex site in the beautiful neighbourhood of Nordstrand, in Oslo. Bringing together our skills in site analysis and visualisation, we designed and presented alternative development strategies for the site, helping the developer and the site owner to build architecture that is both inspiring and financially viable.
Surrounding by elegant villas with fantastic views to Oslo Fjord, the undeveloped site had a complex topography, with a north-facing rocky slope dropping 11 meter drop across the site, overgrown with several large mature trees.
This unusual configuration made the site unsuitable for standard off-the-shelf housing solutions. So the developer asked us to assess the viability of a development and to bring in some creative thinking to showcase the potential of the site to the site owner.
Analysing the site
Using available topographic information and photos, we started by creating a 3D model of the site landscape and its surrounding, which would serve as the basis for our analysis and presentation.
The various layers of planning regulations for the site were then analysed and compiled into a clear set of constraints applying to the project. The surrounding architectural context was also carefully taken into consideration, so that the development would not only integrated with the landscape, but also related meaningfully with the existing architectural language and scale of the residential area.
Presenting these constraints visually, together with topographic and climatic data, we summarised a set of alternative scenarios for the development, each with the associated areas, possible building forms, parking and access requirements and consequences on the potential complexity of the planning process.
With all information clearly summarised, the developer could easily review the options — weighing costs versus complexity of the required planning process — to select an optimal development scale matching his financial and marketing approach.
Thinking with the landscape
With the project scale now clearly defined (in our case, three single family units), we proceeded with structuring the site and developed alternative architectural strategies based on this scenario.
Our focus was on preserving the natural feel of the site, making the most of the existing topography and vegetation to create attractive outdoor spaces with extensive access to the sun for a large part of the year, despite the awkward orientation of the site.
The dwellings were articulated around the different levels of the landscape to minimise groundworks on the site, preserve the existing trees and promote accessibility.
Their volumes were laid out to reduce self-shading of the garden areas, balancing open communal outdoor areas with more private garden spaces linked to each dwelling, framing view from the living spaces and preserving a feeling of privacy from neighbours.
Taking an informed decision
The result was five alternative architectural strategies that could be presented to the developer to the site owner.
We organised our presentation around clear diagrams that visually summarised each strategy, with site plans, massing perspectives and outline dwelling organisations. so that the site owner — who had no previous experience in development — could appreciate the potential of the site and take inform decisions about its future.
A client have just sent us some photos of the finished staircase we have designed for her house.
We designed this little structure to provide access from the upper terraces of the house down to the garden space. Since the garden was also a prime spot for children play, we designed the staircase wrapped around a “treehouse”, in which the children can hide and play, or take a fun shortcut climb back home!
Our director Chris Heuvel is one of only 15 architects to be awarded Royal Institute of British Architects Fellow status in the 2018 list. The RIBA says of the award that "Fellow Membership gives us the opportunity to recognise our inspirational Chartered Members, the sometimes unsung heroes of the profession, who have made a real contribution to architecture, and the community."
Chris' full citation reads as follows:
"Chris is a Director at 2hD Architecture Workshop and a lecturer at Nottingham Trent University (NTU), where he delivers the professional practice elements of both the undergraduate and postgraduate architectural programmes, in addition to acting as Professional Studies Advisor for students in practice. He also runs the Design Studio module followed by first year undergraduates.
Chris champions architectural education as an integral aspect of professional practice, and is currently undertaking a major research project on behalf of NTU into how practitioners’ engagement with their local communities can be compatible with their business development objectives. All his teaching is substantially informed by a lifetime of active involvement in community engagement projects – previously in Norfolk and now in Nottingham, where (in conjunction with 2hD Ltd) he is currently helping a local group develop a business plan for the revival of their recently closed community centre."
Congratulations Chris, the recognition is thoroughly well deserved!
Crafting our micro-office Mission Control has been a great opportunity for us to experiment with many of the technologies we implement in our larger projects, such as natural materials, prefabrication, breathing construction and self-build techniques.
Let's look back at how Mission Control was actually made.
Prefabricating the structure
We wanted to approach the making of our new micro-office as a full-scale architecture project and develop further our expertise in prefabrication and self-build techniques.The structure of the building is composed of 13 timber panels that were prefabricated in our workshop situated 50 meters (and 3 door frames! ) away, before being transported and assembled on the site,
Each panel was designed so that its size and weight would allow two people (Tom and me) to carry it on site safely. To simplify this, we created a small plugin for SketchUp to automatically check this as we modelled the structural panels, as well as to create detailed material lists and clear fabrication manuals for each module.
Assembling the construction
Once fabricated, each module was connected on site to the existing foundations of the former garden shed and to its neighbouring panels. It was then insulated with natural sheep's wool insulation, which was a real treat to install. The whole assembly was finally wrapped in wood-fibre boards for weather-tightness, extra insulation and breathability.
The interior climate is then simply regulated by natural ventilation (adjustable with vents in the door and skylight) and the heating provided by the waste heat produced by our computers. The whole wall construction is vapour-open, complementing the natural ventilation to maintain a healthy and comfortable environment inside.
The broom cladding
The outside of the enclosure was finally clad with a total of 546 wooden broom heads, with natural coco-fibre bristles, screwed to battens wrapping around the breathing walls.
The selection of broom heads as a cladding material has been the result of a careful search for a material that would fulfil all our needs: a natural material with an interesting texture, readily available and affordable, friendly to the touch, yet resistant to break-ins by concealing any opening into the building.
Broom heads actually proved a rather economical cladding materials, as well as creating beautiful shades of browns and greys that evolve with the seasons and ambient humidity, reminiscent of some traditional thatching techniques.
Imagine, design, build and own...
Designing and crafting our micro-office Mission Control has been a long story: we started toying with the idea almost ten years ago! And it has sometimes been a frustrating one, especially when trying to fit this project between our other "more urgent" projects.
But, in the end, this has been an immensely satisfying project and something we are very proud of — having converted our initial idea into an actual architectural space that we love and truly feel our own, every bit of it designed and crafted with our own hands. A project that embodies many of our ethical values and architectural sensibilities at 2hD Architecture Workshop.
Nicknamed "Mission Control", our broom-clad micro-office is an exercise in teleportation, designed to take us from the everyday hurly burly to a another world — one of calm, quiet and focus.
The inception of Mission Control
Our UK office was a home office — not squeezed in to a back bedroom but occupying a large ground floor room with direct access to the main entrance and the garden. For some years this served us well, but the arrival of children led inevitably to a loss of separation. As any home-working architect will testify, the room with all the paper and colouring pens is a kid magnet!
To some extent, the injection of informality improved things — collaborations became looser, more relaxed and more creative — but we were left with the need for a ‘cave’ to complement our increasingly lively ‘commons’.
Our working practices have always involved two very distinct modes. The first is highly collaborative and semi-structured, requiring large surfaces, space and materials for analogue production of drawings and models. The second, as a counterpoint, requires periods of immersion in focussed digital design and production work. Our existing home office provided ideal conditions for the former, but creating the conditions for the latter was always extremely difficult.
Crafting a solution
In the garden was glazed shed, built by the previous owner from repurposed corrugated iron, old windows, offcuts of vinyl and pieces of timber. Rickety in the extreme, we nevertheless blessed it with the name “Mission Control” because it was a great place to retreat to when setting off fireworks on bonfire night.
We decided the replacement for this shed would become our garden office.
The rise of the garden office has been met by a multitude of packaged solutions, and some truly wonderful bespoke designs. But nothing we could find in the market met our slightly odd needs.
We also felt the urge to make, at 1:1 scale and with our own hands, something that we had designed from scratch. So we decided to embark on a highly personal journey into design and build.
We designed Mission Control as a sort of antithesis of "the contemplation space with landscape views and flowing inside-outside space". We needed a cell, removed from physical context and worldly distraction, where we could retreat to immerse ourselves in brain work.
Our intention was that the building should create three totally separate experiences: an enigmatic exterior, a serene interior and a ceremonial commute to work...
An inscrutable box in the garden
Without any visible door or window the outer facades are entirely clad in natural coco-fibre broom heads: details and junctions are largely concealed, as the broom bristles interlock to provide a continuous and visually diffuse surface. Thus giving no clue as to its status as occupied or empty, the structure existing merely as an object of intrigue.
This is a reverse Tardis: much smaller on the inside than it appears from the outside. The difference in volumes results from the simple shed-like pitched roof hidden behind the parapet. The polycarbonate surface of the roof only pops through the brush cladding to divert — yet eliminates familiar details like fascias and gutters, which would make the box readable as an archetypal shed or garden office.
A serene enclosure
The space within is a comfortable and calm isolation chamber for undisturbed concentration. Two back-to-back desks are nested under the low ceilings, reminiscent of the containment created by the sloping ceiling of an artist’s garret.
Interior walls and ceilings are clad with whitewashed plywood, which adds to the calm and natural feeling environment. The breathable walls, wrapped with sheep’s wool insulation, create a healthy internal environment that is easily heated by body warmth and waste heat from computers.
Daylight and ventilation are provided by a single hidden skylight that perforates through the reflective roof surface.
A ceremonial commute
Commuting to work in Mission Control is an important symbolic process: the full experience of ‘going to work’ is here in condensed and enhanced form.
Leaving the house, and travelling the 4 metre journey to the door of the office, provides just enough time to calm and focus.
Entering the building requires interaction: finding the ‘secret panel’ broom head, sliding back the heavy screen door and pushing through the solid leaf behind...
This is a little ritual that requires concentration and creates distance from whatever else is on your mind. As the door clunks shut behind you, the box seals itself and the separation is complete. Let focus begin.
How to extend a 1930s 'Arts and Crafts' style detached house? One approach would be to mimic the original building, but that's not always the most sensitive or responsive solution.
Our clients asked us to extend their house over a dilapidated single storey 'lean-to' garage, to provide a couple of new bedrooms. They also needed more ground floor space to connect properly with their garden.
Looking at the street scene, it was immediately clear that development pattern was characterised by detached houses with relatively low-key side extensions, containing garages, porches and sheds. To extend with a typical two-storey pitched-roof building would change this pattern and detract from the prominence of the 1930s house. Instead we proposed a subservient, low pitched roof that would sit below the existing building's eaves and drop down into the slope of the land. This would be clad in dark-stained vertical timber boarding, reminiscent of a number of 1930s modernist buildings - a different style but still contemporary with the original.
Having consulted neighbours and the planning officer, we carefully explained this strategy through our planning application drawings and Design and Access Statement (DAS). This latter document is often seen as a bit of a token gesture on small scale project like this, but we see it as an opportunity to explain the care we have taken in our design and the various options considered along the way.
We were successfully able to make a case to go against the planning officer's pre-planning advice to use a pitched roof — it was a sensible suggestion and not one we rejected out of hand, but by careful analysis of the particular setting of this building we arrived at the conclusion that in this case, a pitched roof would not be the best way to go.
The end result will be a sensitively designed contemporary extension that extends the living space and amenities of the home without impinging on the neighbours or detracting from the proud character of the original house.
In our latest collaboration with David Boden, of Boden Associates, we produced a series of visualisations for a twenty-story mixed-use development in central Leicester, UK. These were used as part of an on-going consultation with the local planning authorities.
While this project was still in its sketch design stage, we built and maintained a SketchUp model of the building, based on the 2D drawings (plans and elevations) produced by the design team. As the design evolved, we updated the 3D model to reflect changes and provide visual feedback to the team, allowing them to explore alternative design options and assess visual impact.
We eventually produced illustrations of the proposed building for presentation to the city planners, who had specific questions about massing and facade treatments. The challenge was to clearly illustrate the design aspects in question, while emphasising the fact that the design was still in progress.
To achieve a subtle blend of sketchiness and detail, we used a hybrid presentation technique combining photorealistic renders of our SketchUp model (using Maxwell render) with hand drawing and photography.
With now ten years of experience as self-builder, transforming a old stone barn in Dordogne (France) into their dream home, our clients Béranger and Mélanie look back at their amazing achievements.
Over these years they have realised virtually all aspects of the building process themselves — from groundworks and water recycling system, to carpentry and furniture making. They have now decided to give back to the self-building community by sharing all their experience in a great article on their project blog (in French), touching on subjects as varied as project planning, finance and tips on how to not hurt your back on a building site...
2hD started to work as architects on this project as soon as Béranger and Mélanie purchased the run-down stone barn, back in 2006. And we have worked hand-in-hand with them ever-since: helping them define a solid project brief, developing sketch design alternatives, selecting adapted and affordable technical solutions, but also creating custom 3D models of the barn to guide them through the self-build construction process.
Amazingly attentive to details and quality, they are now proud owners of a stunning home, as well as experienced carpenters, plumbers, furniture makers and SketchUp 3D modellers! And they even received an award for their work...
Discussing the usefulness of working with architects in self-build projects, this is what our client Béranger has to say:
You can read the full article on our client's project blog.
A recent project at One Thoresby Street artists studios and gallery gave us a chance to develop new techniques for designing with self-builders.
As part of a longstanding relationship with the artists at One Thoresby Street (OTS), we were asked to design a lobby space for the top-floor Attic Gallery. This would sort out circulation between the gallery and studio spaces and provide a vital fire safety feature by separating the occupied space from the access stairwell. Unusually, the lobby would be built entirely by the artists themselves.
We approached the project through a careful survey of the existing building and designed the lobby to create a great experience for visitors as they approached up the stairwell. A sliding fire door, held open on electronic sensors linked to the fire alarm system ensures that movement and views through are eased. The height of the lobby is reduced to contrast with the tall gallery space, which also minimises the materials used and creates a storage and projection deck overhead.
High technical standards had to be met in the project to create a fire resistant construction, the budget was tight for materials and the building team (skilled makers but not construction professionals) needed to have excellent clarity over the build process.
This put huge demands on the communication of technical information, so we took an approach more normally found in larger scale projects - we created a 'Building Information Model'. This was a CAD model showing every structural member, board and component, organised to give the artists a coordinated picture of the materials to order, the dimensions for cutting, the assembly sequence and the spatial relationship between every item in the final assembly. We then lent the group a laptop with the CAD model installed so that they could take the information directly off it on site.
The build proceeded smoothly with a tiny number of requests for additional information, wastage of materials was kept to a minimum and the end result is a happy self build client, an effective adaptation and an safer, better Attic Gallery space at OTS.
Tom and Chris have been working with a 'community alliance' in Sneinton, Nottingham. A local historic building, much loved by the community, is under threat of demolition. We've offered our community engagement and architectural skills to "dOSH" (Development of the Old School Hall) which has formed to find a sustainable use for the site.
The Old School Hall building dates from the 1840s. Originally a school standing on the boundary between Sneinton and Nottingham, the building served generations of pupils. When in the 1960s a new modern school was opened just up the road, the Old School Hall community centre was created on the site. Many local residents have positive associations with the building as both a school and community centre, so the news that it had closed, and would face demolition, came as a significant blow.
Through his work with Sneinton Neighbourhood Forum, meeting with local Councillors, residents and community groups, Tom helped to arrange a public meeting to bring together all interested people and groups. The strategy was to ensure good information was in the public realm about the threat faced by the building, and to find out whether there was an appetite to try and save the building or to reuse the site for another purpose. The Council had revealed that the building would require a significant investment to make it safe for use and for refurbishment. Despite this, a strong will was identified to try and find a new use for the building, retaining some element of community access whilst securing a viable income stream to maintain the building for the future
Tom attended these meetings and helped the group to come together, structured appropriately as an 'Unincorporated Association' with a clearly defined remit: "To help save the Old School Hall by meeting to discuss feasibility and develop ideas arising from the community to create a business plan". He also researched the history of the site, created posters, spread the word through social media and set up a website and blog for the dOSH group: www.doshsneinton.org.uk
By happy coincidence at this point, Chris was putting the word out to community groups, offering free consultancy as part of his research at Nottingham Trent University. He has been advising the dOSH group on understanding the existing building, seeking advice on the structural stability and condition including liaising with structural engineers and reviewing existing condition reports.
The challenges facing the group are extensive, but the collaborative approach we have helped to foster, in getting organised and understanding both problems and visions, has started things off on the right foot.
The groups represented in dOSH include:
- Sneinton Neighbourhood Forum
- The Renewal Trust
- Sneinton Alchemy
- WIND (Windmill Improvement for Neighbourhood Development)
- The Old School Hall Community Association and management committee
- Nottingham Lindy Hop
- Nottingham Trent University School of Architecture Design & Built Environment
We have just finalised the design for the remodeling and extension of a family house in Bærum, near Oslo. The detailed drawings package has now been sent to potential builders and, before construction starts this spring, we would like to share some of the ideas behind our design approach.
About our clients
Our clients, a young Norwegian couple with a toddler, had purchased a derelict detached house in the neighbourhood of Gjettum. The existing house had been divided into two rental apartments, one on each floor, connected by a shared entrance staircase.
Their plan was to merge these two floors into a single family home, where they would live and host frequent gatherings with their large extended family. The structure and footprint of the existing house was to remain mostly unchanged, but its fabric upgraded to meet modern environmental standards. Our clients were also considering the option of accommodating a rental apartment within the house, to create some additional income until they needed the whole house for their growing family
The existing house
The general feeling of the existing house was somewhat claustrophobic: the redundant spaces created by the two identical floor plans, the small cellular rooms and window-less corridors, the few oversized windows... All contributed to the impression of undersized spaces. A large garden surrounds the house but this was completely disconnected from the interior. It was also mostly spoiled by a garage and a long driveway to the south boundary of the site, which made the approach to the building unwelcoming.
Our design strategy
An obvious solution would have been to extend the house to open up the main living spaces. However, as in many of our projects, we focussed on making the most of the existing building. Key to this approach was to reconnect the various living spaces — both interior and exterior — so that the different architectural functions could flow into one another.
Connecting the social spaces
Our first step was to move bedrooms to the upper floor, so that we could gather all social spaces on the ground floor, just a step away from the garden. We then removed a few internal walls to open two long perspectives across the whole ground floor. This created a close connection to the garden, making it both visible and easily accessible from all living spaces.
These spaces — where eating, relaxing and socialising take place — naturally organised themselves around these open lines, articulated by the existing staircase and a new wood stove. Each living space is designed with its own sense of scale and openness. Yet, it can be used as an extension of another, giving maximum flexibility both for everyday life and for the large social gatherings that our clients love to host.
The kitchen — the natural heart of the house for the family — is now placed at the very centre of this plan and is connected to all surrounding social spaces. A screen of open shelving wraps around the kitchen, to subtly shelter it and discretely accommodate storage, appliances and a study (that doubles as an accessible guest bedroom) on the north-east.
Opening up to the garden
Each of the living-rooms extends to the garden through large French doors: on the south-east, onto a large timber terrace stepping down to the main garden, and on the south-west to a more private terrace that opens the dining room to the evening sun. Since all windows had to be replaced, we took this opportunity to redesign many of the openings to the garden, drawing daylight from different directions in all spaces and carefully framing attractive views to the outdoors.
To the south, we created a new functional and welcoming entrance to the house that also accommodates an accessible modern bathroom. Both this small extension and the new garage (relocated closer to the access road) are designed with similar flat roof details and horizontal cladding, contrasting with the taller existing house. Together, they frame an attractive new approach to the house that echoes the traditional "tun" of Norwegian farmyards, under the dappled shade of newly planted cherry trees.
The private spaces
A new family bathroom and four bedrooms are located on the upper floor. One of these rooms doubles up as a separate TV/play room, where extra guests can stay overnight.
The basement is also remodelled: two thirds of it are transformed into a comfortable self contained apartment, which will be rented out to tenants before becoming an integral part of the house for family guests and teenager children. The large new windows bring plenty of daylight into the space and the separate access to the north and landscaping create a small private garden for the tenants. The remaining space in the basement accommodates a large washroom, as well as the technical installations and storage.
Comfort and sustainability
As part of the remodeling, we upgraded the whole house to meet current energy conservation standards, externally insulating the fabric of the building and replacing the existing windows with highly insulated ones.
We also made the most of the panoramic wood stove on the ground floor by coupling it with a modern balanced ventilation system: diffusing the stove heat in the whole house — including the four bedrooms upstairs— we could design the house so that most of the heating needs would be provided by renewable firewood, while also keeping optimal indoor air quality.