Portfolio project
Self-build house on a Norwegian hillside

Thibaut Devulder

The single-family house we designed on a hillside of Eidsvoll, in Norway, is now under construction by our self-builder client. Created as two wings intersecting with the landscape, the design reconciled our clients' wishes for both discrete privacy and openness to the surrounding woodlands.

Sketch impression of the house with its two intersecting wings, from which the terraces cascade into the forest

Moving out of their current undersized house in the same town, the family wanted to settle on one of the plots owned by the family (we helped the client masterplan this area back in 2011). The plot is situated on an ideally oriented hillside with woodlands at its doorstep and great views to the surrounding countryside.

We designed the family house to clearly separate public spaces receiving visitors (including a small home office) and the more private parts of the house. These two realms are organised in separate wings, articulated by two intersecting gables. At this intersection, an open atrium links the two levels and a sheltered outdoor porch opens up towards the adjacent woodlands to the south-west, stepping down into the landscape through a series of cascading terraces.

Interior view of the atrium, at the intersection of the two wings (Photo @ Caroline Prøven Brohaug)

The external form of the house also responded to the height restrictions of the local planning rules and the steep site slope. Despite the site steepness, the house benefits from a full wheelchair access to all key functions of the home.

Privacy from the existing neighbouring apartment building (also owned by the client) was preserved by vertical timber fins along the facade, framing the views and giving a common vocabulary to the different elevations.

Foundation and groundworks are almost completed and the timber superstructure (insulated with natural cellulose fibres) will be completed before the first snow, at the end of November.


Aalto 2015 Campus masterplan

Thibaut Devulder

Images have just been published by Oslo's Various Architects of a masterplan for the Aalto 2015 Campus on the Espoo peninsula, close to Helsinki.

We collaborated with Various (with whom we share our office in Oslo) and UK consulants Ramboll on the masterplan for this competition entry.

Our approach revisited the idea of the Garden City for which Espoo is considered a Modernist masterpiece. At the core of our design was the Mesh, a three dimensional timber structure extending out of the teaching facilities and workshops into the public spaces. The mesh weaves together social interactions and experimental learning on multiple levels of circulation.

See more on the Divisare website.

Images © Various Architects — published on October 04, 2013 

Weaving space: student exhibition

Tom Hughes

Alina and I are leading the Vertical Studio module this year at Nottingham Trent University, as part of the MArch (Masters in Architecture) course. It's a 10 week design studio delivered to both cohorts of the MArch course, aimed at bringing in practitioners with a particular set of approaches, whilst introducing new students to NTU and preparing final year students for their major dissertation projects.

We've decided to build the studio around the notion of weaving — both as an approach to understanding one way of making structure and space and as an analogy for the multi-stranded assemblage of information, knowledge and ideas that go into an architectural design project.

The site we've chosen is what we've termed an 'urban appendix' — a former thoroughfare truncated by the building of Victoria Station in Nottingham, and then overshadowed by its replacement, the Victoria Centre. This unloved backwater will be stiched back into the urban fabric by housing a dressmaker's shop, design studio and workshop.

During the first week the students were set the ambitious target of putting on an exhibition of exploratory models. Following visits to Kula Tsurdiu (acting as client) and the NTU textiles exhibition and weaving workshops, the students investigated techniques of stitching, pleating, weaving and fusing to create their models. It was great to see a lot of careful investigation and reckless experimentation coming together in a short space of time — the students really responded to the challenge and we look forward to seeing their designs develop over the coming weeks.

Gaarder Gården

Thibaut Devulder

Our design for a mixed development project in Eidsvoll, Norway, has been granted planning permission and work has started on site in Sundet, the historical centre of Eidsvoll, on the bank of the Vorma river.

View of the existing building in context from the riverside theatre 

View of the existing building from south

Since its original construction, this building has seen its use change several times, from textile shop to (most recently) an indian restaurant, with each conversion bringing its new remodelling and awkward lean-to extensions added to the existing log timber building, further blurring the old and the new into a cacophonic mix of styles and functions.

We were approached by the client to reorganise the building into a mixed use development, including retail spaces on the ground floor and rental apartments in the upper floor. The nearby open courtyard — a great asset in the town's developing centre — was originally left disused next to the existing building. Realising the potential, we proposed to integrate it into the scope of the project, to define an attractive outdoor breakout space that opens up towards the retail spaces and the new apartments above.

Located next to the riverside and neighbouring a listed old dairy building, it was essential to preserve a sense of scale between the proposed higher density development and the street level — masterplanned to become one of Sundet main pedestrian axis.

To achieve this, the balconies and common roof terrace serving the seven apartments help to break up with the different built volumes on the site and create an interplay of different levels. The courtyard frames the view to the old dairy building facade from the street, sheltering technical areas out of sight from the street (waste storage and heat pump exchangers).

The palette of materials also help to clearly define the original part of the old building from its rebuilt extensions. The main body of the building will be reclad with its original light boarding, with roof form and windows restored based on old photography. In contrast, all rebuilt and new parts have flat roof and are wrapped in dark stained timber rainscreen.

The first phase of the project is now under construction, including the remodelling of the main building and reconstruction of the extension, to host a retail space on the ground floor and four apartments on the first and loft floors.

Portfolio project
Porch that turns a house around

Tom Hughes

We've been working on the remodelling and extension of a Suffolk cottage for some time now — starting with our 2009 RIBA award winning artist's studio. An internal reworking of the ground floor has improved circulation, usable space and natural lighting.

The final element is now on site: a glass and steel porch at the back door will create a generous welcome space and energy-saving draft lobby.

We often find with existing houses that the 'back door' is in fact the main access for family, guests and deliveries alike, and a decision has to be made: reinstate the status of the front door, or accept the established usage and make the back door a decent point of arrival?

In this case the 1980s flat roofed 'garden room' extension to the rear of the house - with improved windows and insulation - has become the main area for entertaining guests; the new porch will turn the house around and connect it all back together.

Walker House remodel

Thibaut Devulder

The existing house

Our clients are now finalising the site work on our remodel of their home in Eidsvoll, Norway.

We were originally approached by the clients in 2011, to reorganise a family house that had become overcrowded for their family of five and — more importantly — to create a modern comfortable home they would be proud of.

The clients' brief

The model of the surveyed house

Already extended once, this house was in fact spacious enough for the family. Yet the existing layout made poor use of the internal space: stiffly compartmenting into disconnected rooms, the floor plans created several "dead areas" on key locations of the three levels, which were mostly left unused by its inoccupants or barely used for storage.

The existing services were obsolete and poorly placed — with no bathroom on the ground floor for instance — and the clients were eager to upgrade the building fabric and technical installations as part of the remodelling exercise. Summer overheating and noise from the increasing overhead airport traffic were particularly problematic.

Conscious that their three teenage sons would soon be leaving the family home, the parents were also willing to remodel the house so that the upper floor could easily be isolated from their accessible quarters on the ground floor in the coming years, to be rented out to tenants with minimum additional work.

All these had to be addressed with minimum alterations to the exterior of the building, to fit the budget and the local planning rules.

Unlocking the flow

After a detailed survey of the existing house, we identified key factors breaking the flow through the house. These were tackled by a series of strategic moves that could unlock the potential of the space in a cost effective way. At the core of the approach was to clarify the organisation of public and private spaces, and how these flowed into one another.

A few key changes to the internal building fabric allowed us to both connect the spaces for greater flexibility in use (to host large family events, for instance) and respond to the need for privacy between the different parts of the house.

 Creating an experience

Altering the floor plans was the first move to transform this home. We extended this approach to carefully select interior materials and light fittings, to suggest and emphasize the new relationships between the spaces.

Entering the house, the visitor is drawn further into the spaces by a series of focal points revealing themselves progressively from different viewpoints as the house is explored, linking the social spaces and the large garden outdoors.

Improving comfort

The timber structure was fully re-insulated internally, using high density natural wood fibre insulation to improve all year round thermal comfort and dampen external noise. Comfort was further improved by replacing the existing windows with hi-spec new low-energy and noise reduction glazing.

With minimal changes to the existing drainage system, two new family bathrooms and a guest toilet were added to the ground and first floors. Connected to a new centralised ventilation system, they dramatically improve indoor air quality in a quiet and energy efficient way.

Working in close collaboration with the clients, with their in-depth knowledge of every corner of the house and the way it was constructed, allowed very detailed design and planning of all the alterations, while keeping building costs low.

Low energy house, high quality space

Tom Hughes

Over the bank holiday I dropped in to see how the clients for our low energy house are getting on. They've been in residence for a good few months now and it was great to see the house in operation as a home.

The property is going to be open to visitors as part of the programme of tours arranged during September 2013 by West Bridgford Eco Houses- if you want to visit check out their blog post about the house.

All the energy saving features are behaving well, although it is too early yet to get statistical feedback on performance. The basic principle is to make good use of passive solar gains from the south and trap the heat in the the high thermal mass of the building, inside a highly insulated jacket. Overheating is prevented by the thermal mass, which evens out temperature highs and lows, and by effective use of shading on the south facing windows. The other important factor is to control drafts, and the build quality here is exceptionally good.

The really gratifying thing to see was that the house is working well as a home for our clients- it's clearly a comfortable, welcoming and relaxed place to live.

Portfolio project
A barn conversion in Dordogne

Thibaut Devulder

We were delighted when Mélanie and Béranger approached us to help them convert an old stone barn in south-west France into their new family home. This was the perfect project to combine our interests in sustainability, self-build construction and conservation.

Sketch perspective of the converted barn, looking across the main living space

We worked closely with our clients to design a beautiful but affordable house, with a flexible layout and minimal environmental footprint. We brought together the different requirements of their family project, unveiling the stunning character of the 200 year-old stone building, while responding to the practical requirements of its new use.

The 200 year-old barn, before the conversion 

Preserving and enhancing

Our initial task was to carry out a detailed measured survey of the existing stone barn and a careful condition survey to establish the need for repair and conservation work, so that our new intervention could fit around and preserve the old wood and stone structure. This also helped us understand the key views, approaches and landscape requirements for this conversion project, to enhance its integration in the surrounding nature.

The vast and the intimate

We wanted to preserve what we experienced on our first visit to the original barn: an impressive feeling of spaciousness with a peaceful daylight filtering softly through the fallen roof tiles... This meant establishing a clear hierarchy of indoor spaces, so that the whole range of specific functions of the barn's new domestic use could be accommodated without overcrowding the attractive indoor volumes.

The barn under construction: new insulated roof and repointed stone walls.

The other challenge was to introduce natural daylight deep into a previously dark agricultural building. To respect the traditional architectural topology of the stone barn, we concentrated the new openings into few, larger light wells: they reflected off the light surface finishes and created contrasts between social spaces — opening up to the hight roof structure — and the more intimate private rooms. This also promoted effective natural ventilation across the barn in summer.

We chose to keep as much as possible of the meter-thick stone walls in the interior, and insulated the new roof cover and floor slabs. Hovering within the stone volume is a secondary timber structure that weaves itself around the oak roof trusses, clearly identifying the new from the old and contrasting the textured historical materials with the contemporary new ones.

 

Harnessing the site’s resources

Carefully balancing the client’s lifestyle choices, budget and aspirations, we designed and implemented design sustainability measures that we knew would work and could gracefully integrate with the historical building. This meant low-tech solutions with proven track record, that used resources readily available around the site.

Making the most of the barn's extraordinary thermal mass, we incorporating radiant underfloor heating in the newly insulated floor slabs and connecting it to a central wood boiler, running on locally harvested wood logs.

The vast roof was also ideal for rainwater collection, and the system we designed made the barn virtually independent for all water needs (including drinking water!). And while re-landscaping the surrounding agricultural land, we designed a complete waste treatment system based on reed-beds, a completely natural process that would purify all waste water from the family — and even transforming it into clean water for their new natural swimming pond!

Client, user, builder...

A key feature of this project was that the clients would manage the building process themselves. We carefully phased the construction to make sure that the house would be comfortable and accommodating during the whole process, which may take years to complete. We also attentively considered the family’s cashflow over timeand their future aspirations and projects (the house will eventually double as a guesthouse).

So the new home is designed from the start into a series of stages that will evolve with the family, all the way from a space to park a caravan on the site! At each building stage, the plan and structural system work together to create comfortable habitable spaces, building in flexibility as the work progresses, so that later disruption can be avoided.

The different stages of the construction, each inhabitable and addressing the specific needs of the growing family (click to enlarge). 

 

Sharing knowledge and experience

One of our "assembly manuals", explaining to the clients how to build the self-standing internal timber structure (click to enlarge)

We extensively used SketchUp to communicate with our self-building clients, providing them with updated detailed 3D model of the design. Since they had no former experience in carpentry, we also created a series of clear and user-friendly visualisations to explain how the different parts of the structure fitted together with simple assembling techniques and components that could be lifted and handled with limited equipment and muscle-power!

Rewarding their amazing building skills and painstaking attention to details, our clients were even elected in 2012 Self-Builders of the Year by the French magazine Autoconstruction!

The construction of the barn is completed and our clients are sharing in details the day-by-day progress of this project, and their self-building experience, on their project blog

Thanks to 2hD for their outstanding work!
With the 3D model, we can browse, move and observe every corner of the building: a true manual that allows us to reproduce on site what has been imagined by the architects.
Béranger Hau, client and self-builder

Self-build land shelter gets its roof

Tom Hughes

I spend a great couple of days helping put the roof on the shelter Alina designed for Iona School in Nottingham. The shelter structure consists of 8 larch tree trunks supporting a circular deck and a plywood reciprocal frame roof. Now topped with turf it blends in with its woodland setting from some angles and takes on an almost temple-like appearance from others. The shelter will be used as an outdoor classroom for pupils at the school, which offers Steiner education with activities often based on the land. 

You can find out more about the shelter, the build process and the people involved at the project blog.

Portfolio project
A low-energy house in a conservation area

Tom Hughes

Replacing a 1980s bungalow on an infill site in a Nottinghamshire village, the design of this house had to complement the Conservation Area setting whilst achieving extremely high performance as a “zero carbon in use” eco-home. Designed using the PassivHaus Planning Package and executed in a palette of brick, oak, slate and zinc, the house includes a central frameless glazing porch and open stair, an integrated balcony and an extensive built-in photovoltaic array.

The south facade, designed to maximise winter solar gains while providing shading in summer, . Photovoltaic panels and rooflights are integrated into the slate roof.

Our client required a contemporary home that could be built to achieve extremely high energy performance in use. Their site was carefully selected within a characterful village setting, approached from the main village street to the North and having a good southerly aspect for solar collection. Alongside the development of our client’s brief and requirements, we carried out a careful analysis of the village layout and the materials and massing of surrounding buildings.

The house has performed well and we are very happy with its aesthetics, comfort and technical performance. It blends in well with the village despite being obviously modern. Many passers by stop to enquire and pass comment on the house, usually very favourably. We often see cars slowing down in the road outside, almost stopping to catch a second glance.

All the energy bills for the first year of occupation, plus the running of an electric car and water rates, were covered by the return from the solar panels, leaving us only Council Tax to pay!
Roger Bell, client

In a sensitive planning context the design was developed in close consultation with the local planners and community, documented through an in-depth Design and Access Statement. The delicate balance between achieving PassivHaus design targets and satisfying Conservation Area planning requirements meant that the design was evolved and presented in various contexts. A consultation on site in the existing bungalow saw a 20% turnout of the village giving unanimous support for the scheme.

The design uses the north facade to address the village setting and large windows and solar roof to the south to maximise useful solar gain and collection. The requirement to reduce north facing glazing to meet PassivHaus design targets is offset by the provision of a frameless-glazed porch, which prevents the escape of warm air whilst providing an open welcome to visitors.

The North facade and street front, a contemporary response to the surrounding buildings of the Conservation Area.

The smaller windows and variegated massing on this side of the house respond to the scale of the village, whilst the private rear of the house presents a single expanse of roof for solar collection, free of any self-shading projections. An integrated system of flush-fitting photovoltaic panels and rooflights was selected to create a smoothly integrated roofscape. Excess heat gain is controlled by the use of integrated external louvre blinds to the large sliding glass doors on the south elevation.

The integrity of the design is maintained by the simple palette of materials: red brick, oak cladding and beams, slate roofs. A small area of zinc roofing over the glazed porch expresses the articulation of the house plan around the double-height circulation zone.

This project was shortlisted in the 2014 RIBA East Midlands Awards.

Design overview (click to enlarge).

Project credits

Contractor: Nick Martin with Branch Construction
Executive architect: Parsons + Whittley


Prag uthus

Thibaut Devulder

The original brief for this project was to create an outbuilding to an existing family house designed by renowned Norwegian functionalist architect Rolf Prag. This outbuilding would accommodate garage space and a small apartment for rental.

We designed a simple single-story building that echoed the typology of the main building, but keeping it visually more compact to respect the functional hierarchy between the main building and its servant outbuilding.

However, a year after the outbuilding was completed, the client decided to sell the main house and suggested moving to this outbuilding. Originally proposed as a joke by the client, this rapidly became an attractive option to temporarily accommodate the family, whilst their new house was being designed and built. The move, however, required a partial remodelling to accommodate a family of four...

The outbuilding then went into another iteration of design, the plot being subdivided to allow the sale of the main building. The area was also relandscaped to cater for this new use.

We merged the existing garage and storage space into the living quarters, creating two more bedrooms and a utility room. With minimal changes to the external appearance of the building, a new garden space and carport were fitted onto the tight plot, framing the entrance to the house and providing a low maintenance outdoor play space.

Planning permission has been granted and the remodelling of the outbuilding and hard landscaping work are now underway.

Aalto campus competition entry submitted

Thibaut Devulder

The competition was for design of the new School of Art, Architecture, Design and Media (50,000 sqm), together with the masterplanning of the central square for the largest university campus of Finland, close to Helsinki. The site is surrounded by iconic modernist buidings designed by Alvar Aalto, who originally also masterplanned the campus.

We submitted the entry last week and it was great fun collaborating on this project with the team at Various Architects — with whom we are now sharing an office space in Oslo. The competition is anonymous, so it is not possible to show images of our entry yet, but the shortlisting for phase two of the project should be announced in November 2012.

A Design Vision for our neighbourhood

Tom Hughes

I've been heavily involved over the last few months in the creation of a Neighbourhood Design Vision for Sneinton, the area of Nottingham where 2hD are based. I'm delighted to say that the Vision has now been launched to the public, with its own website and a downloadable PDF document.

In June last year I picked up on a letter from the UK Chief Planner, which set out the role of Design Council CABE (Commission for Architecture and the Built Environment), in giving advice on good design for neighbourhoods

The UK planning system is in the process of a major overhaul aimed at giving local communities a greater input, part of the Government's "Localism" agenda. I was interested in how Sneinton might be able to put together a grass-roots vision of its own future, to ensure that Localism works as intended for the area.

The essential problem was how to set out a strong set of ideas to resist poor development, but to encourage good developers by letting them know what local people would support. If resisting the bad is hard, encouraging the good is even more difficult.

As a director of Sneinton Alchemy, a non-profit company run by local people for the benefit of Sneinton, I wrote to Design Council CABE with a copy of the Chief Planner's letter. I asked the question: "What can you do for us?"

The upshot of this was a sucessful joint bid for Design Council CABE funding with OPUN (the architecture centre for the East Midlands), and a 6-month long project to develop the Sneinton Design Vision. You can read the story of how the Vision was created on the Sneinton Alchemy website.

One of the most rewarding parts of the process was the involvement of students from the School of Architecture, Design and the Built Environment at Nottingham Trent University, where I'm a part-time lecturer. Second year architecture students put forward designs for three high-profile sites in Sneinton, the best of which then went forward to an OPUN design review. This saw a panel of industry experts reviewing both the student's designs and a draft version of the Sneinton Vision. 

Developing the Vision has been involved and tough for the local community to support, but the outcome is something we can be proud of. The hope is that this will form the basis of a Neighbourhood Design Plan for Sneinton, which can have real teeth in the planning process.

Tune house

Thibaut Devulder

We converted a derelict building on the bank of Mjøsa, Norway's largest lake, into an artist home with a large integrated workshop.

Reusing the concrete structure — an usual asset in Norwegian housing! — we created a focused work space, linked to a open plan apartment that takes in the beautiful views to the lake and its surrounding hillsides.