Portfolio project
A pavilion for a Museum of Modern Art

Tom Hughes

2hD were commissioned by the Lille Métropole Museum of Modern Art (LaM) to conceive an innovative pavilion to host the ceremonies, celebrating the museum’s re-opening after five years of refurbishment and extension works.

Challenging the existing negative paradigm of event tents, we designed a diaphanous inflatable textile structure to create a mesmerising spatial experience for visitors to the art museum and a striking backdrop for its high-profile public events.

The pavilion at dawn, against the rectilinear backdrop of the museum (Photo: Yves Morfouace)

The pavilion's diaphanous inflatable skin

Our collaboration with LaM started in March 2010, when the museum invited us to submit ideas for an event structure to host up to 350 people for large scale events, ranging from official receptions to dance performances.

Excited by our proposal of a large scale inflatable structure but unsure about its feasibility, the museum initially commissioned us to produce a comprehensive study covering all relevant aspects of feasibility, including the erection process, structural modularity, internal micro-climate, functional analysis, budget simulations and health & safety.

We then teamed up with Inflate, experienced makers of successful inflatable event structures, to produce a custom-designed pavilion that was versatile enough to host the wide spectrum of events envisaged by the museum and that fitted within the tight budget of this not-for-profit art organisation.

Complementing the orthogonal lines and hard materials of the existing buildings and the urban park surrounding them, the lightweight translucent envelope and organic lines define a transient space between the park’s outdoors and the museum itself, welcoming and orienting visitors in their exploration of the extensive art collections. The pavilion also acknowledges and creates a playful dialogue with the many large-scale modern sculptures inhabiting the museum grounds.

The pavilion is designed to adapt to a wide range of future uses, from public reception to theatre performance.

The structure was first installed in September 2010 to host thousands of visitors for the week long opening festivities. Beyond this, the pavilion will also provide a flexible and iconic new space to host the wide variety of future events to be held on the museum grounds, ranging from theatre performance to public lectures and outdoor interactive video installations.

Press releases and high-resolution images suitable for publications are also available in our press section.

The enjoyment with this wonderful pavilion is so great that everyone — despite the summer weather outside — wants to be inside it, and all faces are lit up with joy!
Barbara Gaul, invited artist from Düsseldorf

Awards

This pavilion received an architecture award from the Royal Institute of British Architects (RIBA) East Midlands in the Out of Region category, in September 2011.

This project has also been shortlisted for the World Architecture Festival Award 2011.

At night, the integrated lighting system transformed the structure into a beacon, softly glowing in the park.

At night, the integrated lighting system transformed the structure into a beacon, softly glowing in the park.


Inflatable events space debuts at Lille Museum of Modern Art

Thibaut Devulder

Alina and Thibaut are on site for the official opening of the Lille Museum of Modern Art and have been hard at work seeking opinion on — and taking photographs of — our inflatable event space in the grounds.

French Culture and Communications Minister, Frédéric Mitterrand, described it as “very beautiful” during an official tour of the reopened museum yesterday — after diverting from his official route to view the inflatable.

Alina spoke to artist Barbara Gaul (a.k.a. ANNAH), from Düsseldorf, Germany, who said: “The enjoyment with this wonderful pavilion is so great that everyone — despite the summer weather outside — wants to be inside it, and all faces are lit up with joy!

She also spoke to guest Simone Few, who told her: “Not only is it functional but also very sensitive and protective”. Clearly a woman of excellent judgment and, as it turned out, wife of jazz musician Bobby Few.

For more information, see our press release section and our portfolio page about this project.

Supergraphics

Tom Hughes

In collaboration with Chris Matthews (graphic designer, artist, historian...) we proposed some supergraphics for an artists studio and gallery building. 

Sketches at Nottingham Contemporary

Tom Hughes

Two quick sketches today at Nottingham Contemporary, where we took first year students on sketching trip.

A pencil sketch in the darkness of the projection room, in which I tried to distinguish between shades of darkness around the screen and then capture that.

A pencil sketch in the darkness of the projection room, in which I tried to distinguish between shades of darkness around the screen and then capture that.

A doodle using Autodesk's SketchBook app on the iPod Touch, in which I tried to capture the atmosphere of the cafe without worrying over detail. If the sketch looks a little soulless and cold, then I have succeeded.

A doodle using Autodesk's SketchBook app on the iPod Touch, in which I tried to capture the atmosphere of the cafe without worrying over detail. If the sketch looks a little soulless and cold, then I have succeeded.

Portfolio project
A beach hut

Tom Hughes

Netker 10 (pronounced ‘net curtain’) was 2hD’s entry to the Bathing Beauties competition to design a landmark beach hut for the Lincolnshire seaside. The project allowed us to explore our interests in site, identity, materials and prefabrication. Great fun and we even got to play with models!

Our physical model for the Netker 10 beach hut, submitted for the Bathing Beauties competition

Netker 10 is a landmark and hideaway for Lincolnshire. Strikingly different from its neighbours, it celebrates the traditional English seaside holiday.

Netker 10 encourages play – inside and out. Flexible to allow the comings and goings of a beach holiday, the hut also allows people to play with their public profile – be it fun, reserved, chilled or outgoing. True to beach hut history, Netker 10 provides privacy for a decorous seaside sojourn, but takes this further by engaging passers-by in a game of peek-a-boo in which the occupant decides just how much to reveal.

Lower the outer mesh doors to take a snack whilst keeping an eye on the beach, the sunset and the folk strolling by. Raise the outer doors to shade the promenade or welcome visitors. Pivot the inner doors to slip into your swimmers. Shut all doors for lock-down mode, and do what you like in there. Or open it all up and let it all hang out.

The randomly-laced cables allow views out, but catch the eye of passers-by, making it tricky to see in. By rediscovering the net curtain, Netker 10 plays with inside and outside, with seeing and being-seen. It filters the elements, creates patterns with light, controls views and access.

The inner layer of pivoting and sliding doors allows fine-tuning of the connection to the outside, creating the ideal family hide. It also gives flexibility for Netker 10 to become a micro-café: ground floor servery, rooftop mini-terrace. Nested in the elevated platform, breathtaking views of Lincolnshire can be enjoyed.

The diaphanous skin is created with vandal-proof and weather-resistant steel reinforced nylon rope (commonly used in playgrounds), laced over an engineered timber frame with marine ply infill panels. Exterior timber is stained, interior surfaces exposed to create a welcoming and warm space.

Nothing like camping holidays on the site of the competition, on the Lincolnshire coast, to develop our concept and ideas!