Self-build timber structure

Thibaut Devulder
February 22, 2012

The interior restoration of our two-century-old barn in southern France is almost completed, with all its stone walls repointed and the ceiling of the new insulated roof painted. Credits to our self-builder clients for their amazing work!

The erection of the internal timber structure has also started. We planned the layout of the converted barn so that interior work could be organised in three independent phases: after this initial phase, our clients will be able to start inhabiting the barn, while continuing to work on the rest of the internal structure. Eventually, this first part of the structure will serve as a bedroom for their future guesthouse.

We designed this self-supported structure to be easy to construct by the self-builder couple, without requiring any special equipment or tools. As our clients had no previous experience in carpentry, we produced a package of user-friendly construction drawings that clearly explained how things fitted together.

More photos of the project on our clients' blog...

Portfolio project
A stone memorial for a Jewish congregation

Tom Hughes
December 7, 2011

This project is the result of our combined interests in public art, craftsmanship and education. Starting as a student design competition that we organised at Nottingham Trent University for the Nottingham Progressive Jewish Congregation, our design process became an involved exploration of traditional stone walling techniques and complex numerical modelling to create a solemn yet welcoming landscaped space.

This project was shortlisted for the RIBA East Midlands Award for Architecture 2011.

The completed stome memorial, with collaborating artist Igor Barteczko

We were approached by the client to create a memorial structure for their congregation’s cemetery on an exposed hillside with excellent views over the Trent valley. We proposed, set up and ran a design competition for students, then collaborated with the winner to bring the project to completion. We redesigned the competition winning entry, working with the student in the role of project artist, to ensure buildability and adherence to a very restricted budget.

Our innovations on this project include a rejuvenation of traditional craft building techniques and the use of three dimensional computer modelling to achieve the twisting shape using stonework. We developed a custom plugin for our 3D modelling software to help us explore alternative geometries with the stone masons and produce the required three-dimensional templates for the preparation of the curved ashlar stonework.

The first commemorative plaques, on the curved ashlar.

The resulting structure creates a strong sense of place with an intense focus for ceremonial purposes, whilst also framing views out and welcoming visitors in.

The Memorial viewed from the cemetery entrance.

All articles about this project:

Jul 14, 2014

The art of ageing gracefully

Jul 14, 2014

Nov 26, 2013

Jewish Memorial in Arthitectural magazine

Nov 26, 2013

Dec 7, 2011

A stone memorial for a Jewish congregation

Dec 7, 2011

Jun 28, 2011

Two 2hD projects shortlisted for RIBA EM Awards

Jun 28, 2011

Portfolio project
Upgrading a 1920s house

Tom Hughes
October 12, 2011

This project is currently on the drawing board in the practice, and we thought it worth sharing some interesting aspects of the process so far.

We started out with a client with a beautiful property... that is unfortunately an energy guzzler and has a layout that just doesn't work for the family's lifestyle. The house features a half-timbered front and an interior with many Art Deco, Art Nouveau and Arts and Crafts features. The rear elevation however has many problems with the detailing and a too-hot/too-cold (and out of keeping) conservatory.

With ambitious ideas for remodeling and extending, and a great set of intentions to create a sustainable and energy efficient building we straight away knew that this was a client with whom we could do something special. We also know that these kinds of great ideas can sometimes clash with the realities of programme and budget, so we agreed with our clients that the first step would be holistic: to develop an architectural strategy hand-in-hand with budget costings and a sustainability assessment.

We brought Hockerton Housing Project in to create a 'Home Energy Masterplan' for the property. They thoroughly surveyed the existing fabric and identified cost-effective and practical methods to improve the energy performance of the building. Their report identified measures and payback times for a range of approaches, from the 'no brainer' moves that would pay off straight away to the 'green halo' measures that improve sustainability but might not pay off for years or even decades to come.

We took that information and worked with Branch Construction, an environmentally aware building company, to develop budget costing and buildability strategies on a number of different design options. Having worked out what the current problems were with the house, we developed some ideas for solving them and creating an amazing new home for our client. This centres around a completely remodeled core to the house, linking front to back and interior to garden.

Finally, we rated the options for cost/buildability, sustainability and design – presenting the conclusions as an architectural strategy report. You candownload a public version of this report.

This thorough-going approach has helped our client through some tough decisions on the project scope, and the trade-offs between cost, sustainability and payback time. Having established a scheme that can be completed as a Permitted Development (not requiring planning permission) we are now developing the project into the detailed design stage.

2hD's inflatable pavilion wins RIBA East Midlands Award

Tom Hughes
September 23, 2011

We're proud to announce that our inflatable pavilion for Lille Museum of Modern Art has been awarded an RIBA East Midlands 2011 award.

The annual Awards celebrate 'excellence in architecture and encouraging sustainable design' and were held at the Athena in Leicester on 22nd September.

Tom and Alina accepted the award from Ruth Reid, ex-president of the RIBA and were joined at the ceremony by Nick Crosbie of Inflate, who did the specialist design, fabrication and erection of the pavilion.

2hD shortlisted for the World Architecture Festival Awards!

Thibaut Devulder
August 16, 2011

Our inflatable pavilion for the Lille Museum of Modern Art, in France, has just been shortlisted for World Architecture Festival Awards 2011. No need to say we are chuffed! We'll be presenting the project to the jury in Barcelona on 3rd November. We are shortlisted in the Display category, along with seven other projects from all around the world.

Our shortlisted pavilion at night, next to the Lille Museum of Modern Art and its sculpture park

Two 2hD projects shortlisted for RIBA EM Awards

Thibaut Devulder
June 28, 2011

The Royal Institute of British Architects (RIBA) has announced the shortlisted projects for the 2011 RIBA East Midlands Award for Architecture, celebrating the finest examples of architectural excellence in the region.

We are delighted that two of our projects have been shortlisted for this year's award:

Our stone memorial for the Nottingham Progressive Jewish Congregation

Our inflatable event space for the Lille Museum of Modern Art (LaM).

Portfolio project
Stranded: extreme picknicking in the dunes

Tom Hughes
October 26, 2010

In response to the Structures on the Edge competition, we collaborated with artist Tristan Hessing, of One Thoresby Street, to explore the ambivalent relationship between art and nature conservation. We designed a shifting public art installation on the wild beaches of the Lincolnshire coast, on the theme of extreme picnicking.

The Stranded art installation, slowly eroding within the shifting sand dunes of the Lincolnshire coast — The *Stranded* art installation, slowly eroding within the shifting sand dunes of the Lincolnshire coast

Our chosen site: a fragile dune ecosystem, isolated on a windblown seashore.

Stranded was our shortlisted entry for the 2010 Structures on the Edge art programme, and a distant cousin of our Bathing Beauties competition entry.

The artists’ brief called for small permanent structures in the sand dunes of the Lincolnshire coast that would respond to the wild beauty and harsh environment. Our response was to design an installation for extreme picnicking as a robust response to the rugged nature of the site.

Shifting sands

We decided to make our intervention at a dune crossing point, reinforcing and protecting the dune whilst giving views and shelter for visitors as they move between land and beach. Stranded would be a faceted concrete structure whose shape was derived from the dune surface, but with points raised to provide views and shelter, and others buried beneath the surface to provide foundations. We would see it as a geometric abstraction of the dune landscape, a frozen snapshot of the shifting sands. It might be taken for an archaeological artefact that has been exposed, or is in the process of being covered, by the sands.

Our collaboration with the artist

We found that Tristan shared our approach to understanding the project and our chosen site at Wolla Bank. We took our cameras and tape recorders and had a picnic in the dunes. We talked and sketched and thought, but we also interviewed everyone we could — hikers, families, fishermen, dog walkers, bird watchers.

It became obvious that it was the remoteness and rawness that they appreciated. All of them had visited Wolla Bank many times, and they all praised its quietness and undeveloped nature. Rather than change the place by inserting an icon that would signal development, we decided we should intervene in a strong but subtle way in the landscape.

The making

The process of making Stranded would be intimately connected to these intentions. Creating a mould from the sand of the dune, we would dig out areas of the structure which would be ultimately submerged beneath the ground, and build up areas that would be raised. Finally, we would spray on fibre reinforced concrete to form the structure. The process would be like building a giant sand castle — a hands-on process through which we would engage the local community and visitors.

The exposed concrete areas would collect sand and be blown clean so that the structure would change over time, a process that we would document and that would help to explain the life, mobility and sensitivity of dunes to the visitor.

" 2hD have been committed to delivering the highest standard possible at every opportunity in our collaboration, which is absolutely how it should be and the reason why it has worked so well for all parties.
From our initial shared exploration of the site, they were very engaged with my responses and ideas, responding quickly with visualisations and practical suggestions for the making process. The principle of our collaboration was to understand where our common ground was and how best to pool resources and create design without compromise."

— Tristan Hessing, collaborating artist

All articles about this projects:

Mar 20, 2011

Sandbox manual

Mar 20, 2011

Nov 24, 2010

2hD at Lincoln Architecture Society

Nov 24, 2010

Oct 28, 2010

Remote model making

Oct 28, 2010

Oct 26, 2010

Stranded: extreme picknicking in the dunes

Oct 26, 2010

Portfolio project
1 Thoresby Street art space

Tom Hughes
October 13, 2010

Nottingham has a thriving arts scene, and over the last few years there has been a swell of artist-led studios and galleries.

We’ve had a chance to find out more by getting involved with the 1 Thoresby Street building, part of BioCity where the Stand Assembly artist studios, and the influential Moot gallery (which recently disbanded) have been given space. It’s a vibrant place with artist studios and several galleries from the poster-sized Keep Floors and Passages Clear, to the bedroom sized Trade to the 180m2 attic space. It was the Reading Room for the fantastic Hinterland project, a base for experiments in projection from Annexinema and is now the base and a major venue for the upcoming Sideshow — the British Art Show fringe event.

We’ve been helping the artists to get to grips with their building, making something workable, safe and with a strong identity on a minimal budget and, with the future of the building uncertain due to development and road widening plans, probably temporary. It’s a work in progress and an association with the art scene in Nottingham that we hope will continue. For us, it has also spawned a collaboration with artist Tristan Hessing on a piece for the Lincolnshire coast.

1 Thoresby Street — Art space

At 1 Thoresby Street an empty, wasted and forlorn building has had new life breathed in to it. We urge you to get down there to catch some Sideshow events, which run from 22 October to 18 December.

Portfolio project
A pavilion for a Museum of Modern Art

Tom Hughes
October 7, 2010

2hD were commissioned by the Lille Métropole Museum of Modern Art (LaM) to conceive an innovative pavilion to host the ceremonies, celebrating the museum’s re-opening after five years of refurbishment and extension works.

Challenging the existing negative paradigm of event tents, we designed a diaphanous inflatable textile structure to create a mesmerising spatial experience for visitors to the art museum and a striking backdrop for its high-profile public events.

The pavilion at dawn, against the rectilinear backdrop of the museum (Photo: Yves Morfouace)

The pavilion's diaphanous inflatable skin

Our collaboration with LaM started in March 2010, when the museum invited us to submit ideas for an event structure to host up to 350 people for large scale events, ranging from official receptions to dance performances.

Excited by our proposal of a large scale inflatable structure but unsure about its feasibility, the museum initially commissioned us to produce a comprehensive study covering all relevant aspects of feasibility, including the erection process, structural modularity, internal micro-climate, functional analysis, budget simulations and health & safety.

We then teamed up with Inflate, experienced makers of successful inflatable event structures, to produce a custom-designed pavilion that was versatile enough to host the wide spectrum of events envisaged by the museum and that fitted within the tight budget of this not-for-profit art organisation.

Complementing the orthogonal lines and hard materials of the existing buildings and the urban park surrounding them, the lightweight translucent envelope and organic lines define a transient space between the park’s outdoors and the museum itself, welcoming and orienting visitors in their exploration of the extensive art collections. The pavilion also acknowledges and creates a playful dialogue with the many large-scale modern sculptures inhabiting the museum grounds.

The pavilion is designed to adapt to a wide range of future uses, from public reception to theatre performance.

The structure was first installed in September 2010 to host thousands of visitors for the week long opening festivities. Beyond this, the pavilion will also provide a flexible and iconic new space to host the wide variety of future events to be held on the museum grounds, ranging from theatre performance to public lectures and outdoor interactive video installations.

Press releases and high-resolution images suitable for publications are also available in our press section.

“The enjoyment with this wonderful pavilion is so great that everyone — despite the summer weather outside — wants to be inside it, and all faces are lit up with joy!”

— Barbara Gaul, invited artist from Düsseldorf

Awards

This pavilion received an architecture award from the Royal Institute of British Architects (RIBA) East Midlands in the Out of Region category, in September 2011.

This project has also been shortlisted for the World Architecture Festival Award 2011.

At night, the integrated lighting system transformed the structure into a beacon, softly glowing in the park.

Inflatable events space debuts at Lille Museum of Modern Art

Thibaut Devulder
September 22, 2010

Alina and Thibaut are on site for the official opening of the Lille Museum of Modern Art and have been hard at work seeking opinion on — and taking photographs of — our inflatable event space in the grounds.

French Culture and Communications Minister, Frédéric Mitterrand, described it as “very beautiful” during an official tour of the reopened museum yesterday — after diverting from his official route to view the inflatable.

Alina spoke to artist Barbara Gaul (a.k.a. ANNAH), from Düsseldorf, Germany, who said: “The enjoyment with this wonderful pavilion is so great that everyone — despite the summer weather outside — wants to be inside it, and all faces are lit up with joy!”

She also spoke to guest Simone Few, who told her: “Not only is it functional but also very sensitive and protective”. Clearly a woman of excellent judgment and, as it turned out, wife of jazz musician Bobby Few.

For more information, see our press release section and our portfolio page about this project.

Portfolio project
A painter's studio and home office

Tom Hughes
December 21, 2009

After retiring from his career as a journalist, our client needed additional space at home and asked us to design a new art studio that could also be used as an office for his freelance work. Our design was Highly Commended by the Royal Institute of British Architects (RIBA).

The studio provides an ideal environment for focused work while establishing a strong relationship with the garden.

This is the kind of project that is set for architecture students as a way of exploring space, light, and client needs, but few get the chance to actually make such a building later in their careers.

Primarily, the need was for space to focus on his artistic endeavours as a painter, but also to allow for freelance home working. This gave us the chance to design for excellent daylight quality and a quiet, contemplative, single person space.

An interesting aspect of this project was that the client had already chosen a local craftsmen builder, so we were able to collaborate from an early stage to achieve an exciting design with confidence that it could be built. The unusual design of the roof and structure, necessary to achieve the quality of space and light that we wanted, pushed the builder into some unfamiliar territory, but he responded with some excellent craftsmanship and produced a building of which he and the client are very proud.

The studio is carefully placed to complete the layout of the garden and to make best use of natural light and views out. The interior space is dramatic for such a small building, but it also has a cosy and relaxed feel, supporting long periods of focused creative work. The building is very well insulated with a small woodburning stove, used only in the coldest times, to provide all the heating needs.

This project has been Highly Commended at the RIBA East Midlands Awards 2009!

Sketches were an essential communication tool throughout the design process, from the early briefing with our client to the discussion of construction details on site with the builders

Our client was delighted with the thermal comfort and the quality of natural light in his new studio

“As a freelance journalist and amateur painter I wanted a flexible working space set apart from the house, with a district personality that would, nevertheless, not clash with the village setting. 2hD’s proposals fulfilled my checklist and the practice worked intelligently with us and our builder to realise these ambitions.

The studio is a real joy. Being flooded with natural light and with high levels of insulation, it uses little energy. I seldom turn on the lights, even on the gloomiest of days, and the stove is only lit occasionally, as the building keeps a regular temperature throughout the year.”

— Michael Hughes, client and user

Portfolio project
iHub competition

Thibaut Devulder
November 4, 2009

This joint entry project, involving 2hD, Boden Associates and Shared Design, provides a beacon for projecting creative thought through a strong formal and spatial presence, connected with the surrounding canal, road and cycle routes and characterised by a light ecological touch.

The Heart of the iHub: a brightly coloured conference theatre in the social exhibition space

This Building Research Establishment (BRE) competition called for an innovative hub and ofﬁce building to link centres of excellence in the built environment with entrepreneurial business in order to promote innovative and sustainable technologies. Submitted designs were also encouraged to connect the local town community with the building and its agenda of sustainability and innovation.

The brightly-clad conference theatre pod sits within a highly ﬂexible and dramatically-lit exhibition space, which in turn acts as the activity heart and connective node of the complex. The greened roof above the exhibition hall innovatively reconﬁgures the site topography providing a new habitat for local ecosystems and driving the natural ventilation inside.

For this competition entry, we extensively used storyboarding techniques to communicate the social dynamics of our proposal. In particular, we presented the way the public would experience the spaces, from the dual perspectives of two fictional characters meeting at iHub: Tony, a resident innovative builder, and Deborah, a potential investor visiting the centre.

Our key achievements in this project:

establishing the right level and pattern of connections with the local town
distilling the client’s main values needing to be addressed in the project
establishing the relational logic of the set of activities to be accommodated
determining a fundamental and innovative sustainability strategy
marrying sustainability aims with an exciting experience of visiting or working in the building

Portfolio project
Broadway School

Thibaut Devulder
January 12, 2008

As part of the nationwide programme Building Schools for the Future, 2hD were asked by Lathams Architects to work on the conceptual development of one of the exemplar designs — the renovation and rebuilding of an existing 1960s school to accommodate an additional 300 pupils on a tight inner city site, within a limited £15m budget.

Our consortium later on won the bid for the Building Schools for the Future programme in Birmingham.

We were approached at an early stage of the design process and we focused on:

carrying out key site studies, including access and climatic factors,
developing the initial conceptual design,
replanning the building and site to accommodate a new ﬂexible teaching model,
designing the interiors in response to the tight technical and financial constraints.

We worked closely with other consultants, including fire and structural engineers, landscape designers and education experts to integrate their input to the core of the design approach.

Our approach:

redesigning the school to ensure a friendly welcome and easy circulation for staff, pupils and the community.
Incorporating a deep understanding of the transition in teaching methods to allow this to happen naturally over time.
creating pleasant learning environments within the pressures of a tight budget and limited space on site.

We initially developed alternative design concepts exploring the subtle relationship between the school and the surrounding communities.

We sketched extensive and detailed views of the proposed teaching spaces to communicate design ideas to the client and the other members of the team

The evolution of educational methods was to be embedded into the design and we made sure that all teaching spaces were flexible to allow a smooth transition over time

Portfolio project
Broadsheet Trees

Thibaut Devulder
October 12, 2007

What do the people of Nottingham think about the built environment around them? How do they interact with it? What role do they have in the future development of the urban space in which they live? How do they imagine this future?

As part of Architecture Week 2007, we teamed up with people from Casciani Evans Wood to create an interactive exhibition — Broadsheet Trees — that would voice the opinions and aspirations of the Nottingham people about their city.

Situated in the neoclassical Arcade Exchange in the heart of Nottingham, just a few steps from the City Council, the exhibition took the form of a series of stylised ‘trees’ on which passer-bys were invited to express themselves using colour-coded leaves that they pinned up on the branches. As the exhibition went on, the trees grew into large colourful objects, creating an intriguing and engaging platform for public expression.

*As the exhibition goes on, the trees grow into large colourful objects, creating an intriguing and engaging platform for public expression*

With more than 500 entries in a single week, the exhibition was a great success. The Broadsheet magazine later added the voiced opinions to their website, inviting visitors to participate in a public debate about the future of Nottingham’s cityscape.

Designed to be easily manufactured on a tight budget and assembled with simple handtools, we have since helped on many occasions local grassroots organisations to use these trees as a friendly and fun way to engage their communities in public consultations and events.

This project was commissioned by Arts Council England, the Royal Institute of British Architects (RIBA) and the Architecture Centre Network.

The project was run on a very tight budget and timescale, so we made sure that all the elements of the installation could be made quickly by ourselves

Portfolio project
A beach hut

Tom Hughes
November 19, 2006

Netker 10 (pronounced ‘net curtain’) was 2hD’s entry to the Bathing Beauties competition to design a landmark beach hut for the Lincolnshire seaside. The project allowed us to explore our interests in site, identity, materials and prefabrication. Great fun and we even got to play with models!

Our physical model for the Netker 10 beach hut, submitted for the Bathing Beauties competition — Our physical model for the *Netker 10* beach hut, submitted for the *Bathing Beauties* competition

Netker 10 is a landmark and hideaway for Lincolnshire. Strikingly different from its neighbours, it celebrates the traditional English seaside holiday.

Netker 10 encourages play – inside and out. Flexible to allow the comings and goings of a beach holiday, the hut also allows people to play with their public profile – be it fun, reserved, chilled or outgoing. True to beach hut history, Netker 10 provides privacy for a decorous seaside sojourn, but takes this further by engaging passers-by in a game of peek-a-boo in which the occupant decides just how much to reveal.

Lower the outer mesh doors to take a snack whilst keeping an eye on the beach, the sunset and the folk strolling by. Raise the outer doors to shade the promenade or welcome visitors. Pivot the inner doors to slip into your swimmers. Shut all doors for lock-down mode, and do what you like in there. Or open it all up and let it all hang out.

The randomly-laced cables allow views out, but catch the eye of passers-by, making it tricky to see in. By rediscovering the net curtain, Netker 10 plays with inside and outside, with seeing and being-seen. It filters the elements, creates patterns with light, controls views and access.

The inner layer of pivoting and sliding doors allows fine-tuning of the connection to the outside, creating the ideal family hide. It also gives flexibility for Netker 10 to become a micro-café: ground floor servery, rooftop mini-terrace. Nested in the elevated platform, breathtaking views of Lincolnshire can be enjoyed.

The diaphanous skin is created with vandal-proof and weather-resistant steel reinforced nylon rope (commonly used in playgrounds), laced over an engineered timber frame with marine ply infill panels. Exterior timber is stained, interior surfaces exposed to create a welcoming and warm space.