Mélanie and Béranger, our self-builder clients for the Gabillou barn conversion in South-West France, have been elected self-builders of the year by the popular French site Autoconstruction.net.
Congratulations to you two for your amazing work and your enthusiasm!
Replacing a 1980s bungalow on an infill site in a Nottinghamshire village, the design of this house had to complement the Conservation Area setting whilst achieving extremely high performance as a “zero carbon in use” eco-home. Designed using the PassivHaus Planning Package and executed in a palette of brick, oak, slate and zinc, the house includes a central frameless glazing porch and open stair, an integrated balcony and an extensive built-in photovoltaic array.
The south facade, designed to maximise winter solar gains while providing shading in summer, . Photovoltaic panels and rooflights are integrated into the slate roof.
Our client required a contemporary home that could be built to achieve extremely high energy performance in use. Their site was carefully selected within a characterful village setting, approached from the main village street to the North and having a good southerly aspect for solar collection. Alongside the development of our client’s brief and requirements, we carried out a careful analysis of the village layout and the materials and massing of surrounding buildings.
“The house has performed well and we are very happy with its aesthetics, comfort and technical performance. It blends in well with the village despite being obviously modern. Many passers by stop to enquire and pass comment on the house, usually very favourably. We often see cars slowing down in the road outside, almost stopping to catch a second glance.
All the energy bills for the first year of occupation, plus the running of an electric car and water rates, were covered by the return from the solar panels, leaving us only Council Tax to pay!”
In a sensitive planning context the design was developed in close consultation with the local planners and community, documented through an in-depth Design and Access Statement. The delicate balance between achieving PassivHaus design targets and satisfying Conservation Area planning requirements meant that the design was evolved and presented in various contexts. A consultation on site in the existing bungalow saw a 20% turnout of the village giving unanimous support for the scheme.
The design uses the north facade to address the village setting and large windows and solar roof to the south to maximise useful solar gain and collection. The requirement to reduce north facing glazing to meet PassivHaus design targets is offset by the provision of a frameless-glazed porch, which prevents the escape of warm air whilst providing an open welcome to visitors.
The North facade and street front, a contemporary response to the surrounding buildings of the Conservation Area.
The smaller windows and variegated massing on this side of the house respond to the scale of the village, whilst the private rear of the house presents a single expanse of roof for solar collection, free of any self-shading projections. An integrated system of flush-fitting photovoltaic panels and rooflights was selected to create a smoothly integrated roofscape. Excess heat gain is controlled by the use of integrated external louvre blinds to the large sliding glass doors on the south elevation.
The integrity of the design is maintained by the simple palette of materials: red brick, oak cladding and beams, slate roofs. A small area of zinc roofing over the glazed porch expresses the articulation of the house plan around the double-height circulation zone.
This project was shortlisted in the 2014 RIBA East Midlands Awards.
Design overview (click to enlarge).
Contractor: Nick Martin with Branch Construction
Executive architect: Parsons + Whittley
The original brief for this project was to create an outbuilding to an existing family house designed by renowned Norwegian functionalist architect Rolf Prag. This outbuilding would accommodate garage space and a small apartment for rental.
We designed a simple single-story building that echoed the typology of the main building, but keeping it visually more compact to respect the functional hierarchy between the main building and its servant outbuilding.
However, a year after the outbuilding was completed, the client decided to sell the main house and suggested moving to this outbuilding. Originally proposed as a joke by the client, this rapidly became an attractive option to temporarily accommodate the family, whilst their new house was being designed and built. The move, however, required a partial remodelling to accommodate a family of four...
The outbuilding then went into another iteration of design, the plot being subdivided to allow the sale of the main building. The area was also relandscaped to cater for this new use.
We merged the existing garage and storage space into the living quarters, creating two more bedrooms and a utility room. With minimal changes to the external appearance of the building, a new garden space and carport were fitted onto the tight plot, framing the entrance to the house and providing a low maintenance outdoor play space.
Planning permission has been granted and the remodelling of the outbuilding and hard landscaping work are now underway.
We have collaborated with Various Architects on an entry for the international architectural design competition for Otaniemi central campus of Aalto University, Finland.
The competition was for design of the new School of Art, Architecture, Design and Media (50,000 sqm), together with the masterplanning of the central square for the largest university campus of Finland, close to Helsinki. The site is surrounded by iconic modernist buidings designed by Alvar Aalto, who originally also masterplanned the campus.
We submitted the entry last week and it was great fun collaborating on this project with the team at Various Architects — with whom we are now sharing an office space in Oslo. The competition is anonymous, so it is not possible to show images of our entry yet, but the shortlisting for phase two of the project should be announced in November 2012.
I've been heavily involved over the last few months in the creation of a Neighbourhood Design Vision for Sneinton, the area of Nottingham where 2hD are based. I'm delighted to say that the Vision has now been launched to the public, with its own website and a downloadable PDF document.
In June last year I picked up on a letter from the UK Chief Planner, which set out the role of Design Council CABE (Commission for Architecture and the Built Environment), in giving advice on good design for neighbourhoods
The UK planning system is in the process of a major overhaul aimed at giving local communities a greater input, part of the Government's "Localism" agenda. I was interested in how Sneinton might be able to put together a grass-roots vision of its own future, to ensure that Localism works as intended for the area.
The essential problem was how to set out a strong set of ideas to resist poor development, but to encourage good developers by letting them know what local people would support. If resisting the bad is hard, encouraging the good is even more difficult.
As a director of Sneinton Alchemy, a non-profit company run by local people for the benefit of Sneinton, I wrote to Design Council CABE with a copy of the Chief Planner's letter. I asked the question: "What can you do for us?"
The upshot of this was a sucessful joint bid for Design Council CABE funding with OPUN (the architecture centre for the East Midlands), and a 6-month long project to develop the Sneinton Design Vision. You can read the story of how the Vision was created on the Sneinton Alchemy website.
One of the most rewarding parts of the process was the involvement of students from the School of Architecture, Design and the Built Environment at Nottingham Trent University, where I'm a part-time lecturer. Second year architecture students put forward designs for three high-profile sites in Sneinton, the best of which then went forward to an OPUN design review. This saw a panel of industry experts reviewing both the student's designs and a draft version of the Sneinton Vision.
Developing the Vision has been involved and tough for the local community to support, but the outcome is something we can be proud of. The hope is that this will form the basis of a Neighbourhood Design Plan for Sneinton, which can have real teeth in the planning process.
We converted a derelict building on the bank of Mjøsa, Norway's largest lake, into an artist home with a large integrated workshop.
Reusing the concrete structure — an usual asset in Norwegian housing! — we created a focused work space, linked to a open plan apartment that takes in the beautiful views to the lake and its surrounding hillsides.
Photo © Torgan & Partners AS
Photo © Torgan & Partners AS
Photo © Torgan & Partners AS
Photo © Torgan & Partners AS
The interior restoration of our two-century-old barn in southern France is almost completed, with all its stone walls repointed and the ceiling of the new insulated roof painted. Credits to our self-builder clients for their amazing work!
The erection of the internal timber structure has also started. We planned the layout of the converted barn so that interior work could be organised in three independent phases: after this initial phase, our clients will be able to start inhabiting the barn, while continuing to work on the rest of the internal structure. Eventually, this first part of the structure will serve as a bedroom for their future guesthouse.
More photos of the project on our clients' blog...
This project is the result of our combined interests in public art, craftsmanship and education. Starting as a student design competition that we organised at Nottingham Trent University for the Nottingham Progressive Jewish Congregation, our design process became an involved exploration of traditional stone walling techniques and complex numerical modelling to create a solemn yet welcoming landscaped space.
This project was shortlisted for the RIBA East Midlands Award for Architecture 2011.
The completed stome memorial, with collaborating artist Igor Barteczko
We were approached by the client to create a memorial structure for their congregation’s cemetery on an exposed hillside with excellent views over the Trent valley. We proposed, set up and ran a design competition for students, then collaborated with the winner to bring the project to completion. We redesigned the competition winning entry, working with the student in the role of project artist, to ensure buildability and adherence to a very restricted budget.
Our innovations on this project include a rejuvenation of traditional craft building techniques and the use of three dimensional computer modelling to achieve the twisting shape using stonework. We developed a custom plugin for our 3D modelling software to help us explore alternative geometries with the stone masons and produce the required three-dimensional templates for the preparation of the curved ashlar stonework.
The first commemorative plaques, on the curved ashlar.
The resulting structure creates a strong sense of place with an intense focus for ceremonial purposes, whilst also framing views out and welcoming visitors in.
The Memorial viewed from the cemetery entrance.
This project is currently on the drawing board in the practice, and we thought it worth sharing some interesting aspects of the process so far.
We started out with a client with a beautiful property... that is unfortunately an energy guzzler and has a layout that just doesn't work for the family's lifestyle. The house features a half-timbered front and an interior with many Art Deco, Art Nouveau and Arts and Crafts features. The rear elevation however has many problems with the detailing and a too-hot/too-cold (and out of keeping) conservatory.
With ambitious ideas for remodeling and extending, and a great set of intentions to create a sustainable and energy efficient building we straight away knew that this was a client with whom we could do something special. We also know that these kinds of great ideas can sometimes clash with the realities of programme and budget, so we agreed with our clients that the first step would be holistic: to develop an architectural strategy hand-in-hand with budget costings and a sustainability assessment.
We brought Hockerton Housing Project in to create a 'Home Energy Masterplan' for the property. They thoroughly surveyed the existing fabric and identified cost-effective and practical methods to improve the energy performance of the building. Their report identified measures and payback times for a range of approaches, from the 'no brainer' moves that would pay off straight away to the 'green halo' measures that improve sustainability but might not pay off for years or even decades to come.
We took that information and worked with Branch Construction, an environmentally aware building company, to develop budget costing and buildability strategies on a number of different design options. Having worked out what the current problems were with the house, we developed some ideas for solving them and creating an amazing new home for our client. This centres around a completely remodeled core to the house, linking front to back and interior to garden.
Finally, we rated the options for cost/buildability, sustainability and design – presenting the conclusions as an architectural strategy report. You candownload a public version of this report.
This thorough-going approach has helped our client through some tough decisions on the project scope, and the trade-offs between cost, sustainability and payback time. Having established a scheme that can be completed as a Permitted Development (not requiring planning permission) we are now developing the project into the detailed design stage.
We're proud to announce that our inflatable pavilion for Lille Museum of Modern Art has been awarded an RIBA East Midlands 2011 award.
The annual Awards celebrate 'excellence in architecture and encouraging sustainable design' and were held at the Athena in Leicester on 22nd September.
Tom and Alina accepted the award from Ruth Reid, ex-president of the RIBA and were joined at the ceremony by Nick Crosbie of Inflate, who did the specialist design, fabrication and erection of the pavilion.
Our inflatable pavilion for the Lille Museum of Modern Art, in France, has just been shortlisted for World Architecture Festival Awards 2011. No need to say we are chuffed! We'll be presenting the project to the jury in Barcelona on 3rd November. We are shortlisted in the Display category, along with seven other projects from all around the world.
Our shortlisted pavilion at night, next to the Lille Museum of Modern Art and its sculpture park
The Royal Institute of British Architects (RIBA) has announced the shortlisted projects for the 2011 RIBA East Midlands Award for Architecture, celebrating the finest examples of architectural excellence in the region.
We are delighted that two of our projects have been shortlisted for this year's award:
Our stone memorial for the Nottingham Progressive Jewish Congregation
Our inflatable event space for the Lille Museum of Modern Art (LaM).
In response to the Structures on the Edge competition, we collaborated with artist Tristan Hessing, of One Thoresby Street, to explore the ambivalent relationship between art and nature conservation. We designed a shifting public art installation on the wild beaches of the Lincolnshire coast, on the theme of extreme picnicking.
The Stranded art installation, slowly eroding within the shifting sand dunes of the Lincolnshire coast
Our chosen site: a fragile dune ecosystem, isolated on a windblown seashore.
Stranded was our shortlisted entry for the 2010 Structures on the Edge art programme, and a distant cousin of our Bathing Beauties competition entry.
The artists’ brief called for small permanent structures in the sand dunes of the Lincolnshire coast that would respond to the wild beauty and harsh environment. Our response was to design an installation for extreme picnicking as a robust response to the rugged nature of the site.
We decided to make our intervention at a dune crossing point, reinforcing and protecting the dune whilst giving views and shelter for visitors as they move between land and beach. Stranded would be a faceted concrete structure whose shape was derived from the dune surface, but with points raised to provide views and shelter, and others buried beneath the surface to provide foundations. We would see it as a geometric abstraction of the dune landscape, a frozen snapshot of the shifting sands. It might be taken for an archaeological artefact that has been exposed, or is in the process of being covered, by the sands.
We found that Tristan shared our approach to understanding the project and our chosen site at Wolla Bank. We took our cameras and tape recorders and had a picnic in the dunes. We talked and sketched and thought, but we also interviewed everyone we could — hikers, families, fishermen, dog walkers, bird watchers.
It became obvious that it was the remoteness and rawness that they appreciated. All of them had visited Wolla Bank many times, and they all praised its quietness and undeveloped nature. Rather than change the place by inserting an icon that would signal development, we decided we should intervene in a strong but subtle way in the landscape.
The process of making Stranded would be intimately connected to these intentions. Creating a mould from the sand of the dune, we would dig out areas of the structure which would be ultimately submerged beneath the ground, and build up areas that would be raised. Finally, we would spray on fibre reinforced concrete to form the structure. The process would be like building a giant sand castle — a hands-on process through which we would engage the local community and visitors.
The exposed concrete areas would collect sand and be blown clean so that the structure would change over time, a process that we would document and that would help to explain the life, mobility and sensitivity of dunes to the visitor.
" 2hD have been committed to delivering the highest standard possible at every opportunity in our collaboration, which is absolutely how it should be and the reason why it has worked so well for all parties.
From our initial shared exploration of the site, they were very engaged with my responses and ideas, responding quickly with visualisations and practical suggestions for the making process. The principle of our collaboration was to understand where our common ground was and how best to pool resources and create design without compromise."
— Tristan Hessing, collaborating artist
Nottingham has a thriving arts scene, and over the last few years there has been a swell of artist-led studios and galleries.
We’ve had a chance to find out more by getting involved with the 1 Thoresby Street building, part of BioCity where the Stand Assembly artist studios, and the influential Moot gallery (which recently disbanded) have been given space. It’s a vibrant place with artist studios and several galleries from the poster-sized Keep Floors and Passages Clear, to the bedroom sized Trade to the 180m2 attic space. It was the Reading Room for the fantastic Hinterland project, a base for experiments in projection from Annexinema and is now the base and a major venue for the upcoming Sideshow — the British Art Show fringe event.
We’ve been helping the artists to get to grips with their building, making something workable, safe and with a strong identity on a minimal budget and, with the future of the building uncertain due to development and road widening plans, probably temporary. It’s a work in progress and an association with the art scene in Nottingham that we hope will continue. For us, it has also spawned a collaboration with artist Tristan Hessing on a piece for the Lincolnshire coast.
At 1 Thoresby Street an empty, wasted and forlorn building has had new life breathed in to it. We urge you to get down there to catch some Sideshow events, which run from 22 October to 18 December.
2hD were commissioned by the Lille Métropole Museum of Modern Art (LaM) to conceive an innovative pavilion to host the ceremonies, celebrating the museum’s re-opening after five years of refurbishment and extension works.
Challenging the existing negative paradigm of event tents, we designed a diaphanous inflatable textile structure to create a mesmerising spatial experience for visitors to the art museum and a striking backdrop for its high-profile public events.
The pavilion at dawn, against the rectilinear backdrop of the museum (Photo: Yves Morfouace)
The pavilion's diaphanous inflatable skin
Our collaboration with LaM started in March 2010, when the museum invited us to submit ideas for an event structure to host up to 350 people for large scale events, ranging from official receptions to dance performances.
Excited by our proposal of a large scale inflatable structure but unsure about its feasibility, the museum initially commissioned us to produce a comprehensive study covering all relevant aspects of feasibility, including the erection process, structural modularity, internal micro-climate, functional analysis, budget simulations and health & safety.
We then teamed up with Inflate, experienced makers of successful inflatable event structures, to produce a custom-designed pavilion that was versatile enough to host the wide spectrum of events envisaged by the museum and that fitted within the tight budget of this not-for-profit art organisation.
Complementing the orthogonal lines and hard materials of the existing buildings and the urban park surrounding them, the lightweight translucent envelope and organic lines define a transient space between the park’s outdoors and the museum itself, welcoming and orienting visitors in their exploration of the extensive art collections. The pavilion also acknowledges and creates a playful dialogue with the many large-scale modern sculptures inhabiting the museum grounds.
The pavilion is designed to adapt to a wide range of future uses, from public reception to theatre performance.
The structure was first installed in September 2010 to host thousands of visitors for the week long opening festivities. Beyond this, the pavilion will also provide a flexible and iconic new space to host the wide variety of future events to be held on the museum grounds, ranging from theatre performance to public lectures and outdoor interactive video installations.
Press releases and high-resolution images suitable for publications are also available in our press section.
“The enjoyment with this wonderful pavilion is so great that everyone — despite the summer weather outside — wants to be inside it, and all faces are lit up with joy!”
This pavilion received an architecture award from the Royal Institute of British Architects (RIBA) East Midlands in the Out of Region category, in September 2011.
This project has also been shortlisted for the World Architecture Festival Award 2011.
At night, the integrated lighting system transformed the structure into a beacon, softly glowing in the park.
